|
gptkbp:instance_of
|
gptkb:television_episode
|
|
gptkbp:aired_on
|
gptkb:Netflix
|
|
gptkbp:audience
|
7.5/10
|
|
gptkbp:awards
|
nominated for Emmy
nominated for BAFTA
|
|
gptkbp:character
|
gptkb:Billy
gptkb:Chris
Jaden
|
|
gptkbp:character_development
|
Chris's journey
Billy's role
Jaden's perspective
|
|
gptkbp:cinematography
|
gptkb:Eve_Stewart
|
|
gptkbp:conflict
|
gptkb:hostage_situation
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
discussions on technology
|
|
gptkbp:director
|
gptkb:James_Hawes
|
|
gptkbp:editor
|
Julian Clarke
|
|
gptkbp:episode_number
|
2
|
|
gptkbp:explores
|
isolation
human connection
addiction to technology
|
|
gptkbp:filming_location
|
gptkb:London
|
|
gptkbp:follows
|
a rideshare driver
|
|
gptkbp:genre
|
gptkb:science_fiction
gptkb:drama
|
|
gptkbp:influenced_by
|
social commentary
|
|
gptkbp:influences
|
Black Mirror series
|
|
gptkbp:inspiration
|
real-world events
|
|
gptkbp:language
|
English
|
|
gptkbp:metacritic_score
|
60% on Rotten Tomatoes
|
|
gptkbp:music_composer
|
gptkb:Alexandra_Harwood
|
|
gptkbp:narrative_style
|
gptkb:anthology
|
|
gptkbp:part_of
|
gptkb:Black_Mirror
|
|
gptkbp:premiere
|
gptkb:2019
|
|
gptkbp:premiere_episode
|
standalone
|
|
gptkbp:production_company
|
gptkb:House_of_Tomorrow
|
|
gptkbp:release_date
|
2019-06-05
|
|
gptkbp:release_format
|
streaming
|
|
gptkbp:resolution
|
ambiguous ending
|
|
gptkbp:runtime
|
60 minutes
|
|
gptkbp:season
|
gptkb:5
|
|
gptkbp:setting
|
near-future
|
|
gptkbp:starring
|
gptkb:Andrew_Scott
gptkb:Topher_Grace
Damson Idris
|
|
gptkbp:themes
|
gptkb:technology
mental health
social media
|
|
gptkbp:viewership
|
6.1 million
|
|
gptkbp:viewing_platform
|
gptkb:Netflix
|
|
gptkbp:writer
|
gptkb:Charlie_Brooker
|
|
gptkbp:bfsParent
|
gptkb:The_Black_Mirror
|
|
gptkbp:bfsLayer
|
5
|