|
gptkbp:instance_of
|
gptkb:art_exhibition
|
|
gptkbp:attendance
|
high
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:cultural_impact
|
promoted modern art
|
|
gptkbp:duration
|
several months
|
|
gptkbp:exhibition
|
positive
extensive
successful
political tensions
fine arts
published
government funded
increased interest in art
new display techniques
with artists' societies
|
|
gptkbp:exhibition_history
|
foundation for future exhibitions
|
|
gptkbp:exhibition_impact
|
art education
cultural dialogue
|
|
gptkbp:exhibition_space
|
Berlin Exhibition Hall
|
|
gptkbp:exhibition_theme
|
gptkb:contemporary_art
|
|
gptkbp:featured_in
|
gptkb:The_Last_Supper
gptkb:The_Death_of_Sardanapalus
The Flute Concert
The Ironworkers' Noontime
|
|
gptkbp:historical_context
|
19th century art movements
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Berlin Art Exhibition 1862
|
|
gptkbp:influenced
|
future art exhibitions
|
|
gptkbp:legacy
|
inspired later exhibitions in Germany
|
|
gptkbp:location
|
gptkb:Berlin
|
|
gptkbp:movement
|
gptkb:Symbolism
gptkb:Realism
gptkb:Romanticism
gptkb:Impressionism
|
|
gptkbp:notable_artist
|
gptkb:Max_Liebermann
gptkb:Adolph_Menzel
gptkb:Wilhelm_Leibl
gptkb:Hans_von_Marées
Anselm Feuerbach
|
|
gptkbp:notable_visitor
|
gptkb:Hermann_von_Helmholtz
gptkb:Otto_von_Bismarck
gptkb:Richard_Wagner
gptkb:Thomas_Mann
gptkb:Emperor_Wilhelm_I
|
|
gptkbp:organizer
|
Prussian government
|
|
gptkbp:significance
|
first major art exhibition in Berlin
|
|
gptkbp:type
|
international exhibition
|
|
gptkbp:year
|
1862
|
|
gptkbp:bfsParent
|
gptkb:Maria_Anna_Geyer
|
|
gptkbp:bfsLayer
|
7
|