Statements (59)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:orchestra
|
gptkbp:arrangements |
arranged for various ensembles
|
gptkbp:artistic_legacy |
remains a staple of the symphonic repertoire
|
gptkbp:audience |
often elicits strong emotional responses
|
gptkbp:awards |
won several awards
|
gptkbp:composer |
gptkb:Ludwig_van_Beethoven
influenced later composers like Mahler |
gptkbp:critical_reception |
highly praised by contemporaries
|
gptkbp:cultural_impact |
has had a lasting impact on Western music
widely regarded as one of Beethoven's greatest works |
gptkbp:cultural_references |
referenced in literature and art
|
gptkbp:cultural_significance |
symbol of resilience
|
gptkbp:dedication |
gptkb:Count_Joseph_von_Fries
|
gptkbp:duration |
approximately 38 minutes
|
gptkbp:events |
benefit concert for soldiers
|
gptkbp:first_performance |
gptkb:Vienna
|
gptkbp:focuses_on |
used in music education
|
gptkbp:historical_context |
composed during the early 19th century
|
gptkbp:historical_significance |
reflects the transition to Romanticism
|
https://www.w3.org/2000/01/rdf-schema#label |
Beethoven Symphony No. 7
|
gptkbp:influence |
inspired many composers
|
gptkbp:influenced_artists |
influenced Romantic music
|
gptkbp:influenced_by |
Dance music
|
gptkbp:inspiration |
inspired by the Napoleonic Wars
|
gptkbp:involved_forces |
strings, woodwinds, brass, percussion
|
gptkbp:is_popular_in |
used in films and commercials
|
gptkbp:key |
A major
|
gptkbp:movement |
gptkb:Allegretto
gptkb:4 gptkb:Allegro_con_brio Poco sostenuto – Vivace Presto – Assai meno presto |
gptkbp:music_style |
sonata form
complex and innovative structure analyzed in musicology studies |
gptkbp:nickname |
gptkb:Apotheosis_of_Dance
|
gptkbp:notable_artists |
pianists have transcribed it for piano
|
gptkbp:notable_conductors |
gptkb:Herbert_von_Karajan
|
gptkbp:notable_feature |
Allegretto is particularly famous
|
gptkbp:notable_performance |
gptkb:Vienna_Philharmonic_Orchestra
performed by major orchestras worldwide performed regularly in concert halls |
gptkbp:notable_recordings |
numerous recordings exist
has a long history of recordings |
gptkbp:opus_number |
Op. 92
|
gptkbp:orchestration |
gptkb:orchestra
|
gptkbp:performance |
varied interpretations by conductors
frequently performed in orchestral seasons |
gptkbp:premiere_date |
December 8, 1813
|
gptkbp:record_label |
various record labels
|
gptkbp:signature_move |
rhythmic drive
|
gptkbp:style |
Classical
|
gptkbp:thematic_element |
develops themes throughout the movements
uses dance rhythms |
gptkbp:theme |
features recurring motifs
|
gptkbp:year_composed |
1812
|
gptkbp:bfsParent |
gptkb:Bernard_Haitink
gptkb:Abbado's_recordings |
gptkbp:bfsLayer |
5
|