Statements (57)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:orchestra
|
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:Nikolaus_Harnoncourt
|
| gptkbp:arrangements |
Arrangements for various ensembles
|
| gptkbp:artist |
Lively and optimistic
|
| gptkbp:artistic_legacy |
Enduring popularity in classical music
|
| gptkbp:audience |
Well-received by audiences
|
| gptkbp:collaborations |
Collaborations with orchestras worldwide
|
| gptkbp:composed_of |
gptkb:Ludwig_van_Beethoven
|
| gptkbp:composer |
gptkb:Ludwig_van_Beethoven
|
| gptkbp:critical_reception |
Generally positive
|
| gptkbp:cultural_events |
Performed at significant cultural events
|
| gptkbp:cultural_impact |
Influenced later symphonic works
|
| gptkbp:cultural_significance |
Represents Beethoven's development as a composer
|
| gptkbp:dedication |
gptkb:Prince_Joseph_Franz_Maximilian_Lobkowitz
|
| gptkbp:duration |
approximately 30 minutes
|
| gptkbp:filming_location |
gptkb:Vienna
|
| gptkbp:first_performance |
1803
|
| gptkbp:first_published |
1806
|
| gptkbp:focuses_on |
Studied in music theory courses
|
| gptkbp:historical_context |
Composed during Beethoven's middle period
|
| gptkbp:historical_significance |
Marks a transition in Beethoven's style
|
| https://www.w3.org/2000/01/rdf-schema#label |
Beethoven's Symphony No. 2
|
| gptkbp:influenced_artists |
gptkb:Mahler
Symphonies by later composers |
| gptkbp:influenced_by |
Haydn and Mozart
|
| gptkbp:influences |
Classical music
Film scores and contemporary music |
| gptkbp:inspiration |
Personal struggles and triumphs
|
| gptkbp:involved_forces |
gptkb:orchestra
|
| gptkbp:key |
D major
|
| gptkbp:legacy |
Considered a significant work in the symphonic repertoire
|
| gptkbp:movement |
gptkb:4
gptkb:Adagio_–_Allegro_con_brio Larghetto Allegro molto Scherzo: Allegro |
| gptkbp:music_style |
Sonata form
Analyzed for its structure and themes |
| gptkbp:notable_conductors |
gptkb:Herbert_von_Karajan
gptkb:Carlos_Kleiber |
| gptkbp:notable_event |
Classical music festivals
|
| gptkbp:notable_features |
Use of horns
|
| gptkbp:notable_performance |
gptkb:Berlin_Philharmonic_Orchestra
Standard repertoire for orchestras |
| gptkbp:notable_recordings |
Multiple recordings available
Leonard Bernstein's recording |
| gptkbp:opus_number |
Op. 36
|
| gptkbp:orchestration |
2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, timpani, strings
|
| gptkbp:performance |
Commonly performed in concert halls
Regularly performed since its premiere |
| gptkbp:record_label |
Various labels
|
| gptkbp:signature_move |
Joyful and energetic themes
|
| gptkbp:style |
Classical
|
| gptkbp:thematic_element |
Contrasting themes
|
| gptkbp:theme |
Joy and struggle
|
| gptkbp:year_composed |
1802
|