Beethoven's Second Symphony
GPTKB entity
Statements (58)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:orchestra
|
| gptkbp:bfsLayer |
6
|
| gptkbp:bfsParent |
gptkb:Orchestre_des_Champs-Élysées
gptkb:Beethoven:_The_Symphonies |
| gptkbp:analysis |
Often analyzed in music theory courses
|
| gptkbp:arrangements |
Various arrangements for different ensembles
|
| gptkbp:artist |
Lively rhythms and melodies
|
| gptkbp:artistic_influence |
Influenced the development of the symphonic form
|
| gptkbp:audience |
Well-received by audiences
|
| gptkbp:composer |
gptkb:Ludwig_van_Beethoven
|
| gptkbp:critical_reception |
Generally positive
|
| gptkbp:cultural_impact |
Influenced later symphonic works
|
| gptkbp:cultural_references |
Referenced in various media
|
| gptkbp:cultural_significance |
Represents the optimism of the early 19th century
|
| gptkbp:dedication |
gptkb:Prince_Joseph_Franz_Maximilian_Lobkowitz
|
| gptkbp:duration |
approximately 30 minutes
|
| gptkbp:first_performance |
gptkb:Theater_an_der_Wien
|
| gptkbp:focuses_on |
Used in music education
|
| gptkbp:historical_context |
Composed during the early 19th century
|
| gptkbp:historical_significance |
Represents Beethoven's transition to middle period
|
| https://www.w3.org/2000/01/rdf-schema#label |
Beethoven's Second Symphony
|
| gptkbp:influenced_artists |
Brahms, Mahler
|
| gptkbp:influenced_by |
Haydn and Mozart
|
| gptkbp:influences |
Classical music
|
| gptkbp:inspiration |
Personal struggles and triumphs
|
| gptkbp:instrument |
Strings, woodwinds, brass, percussion
|
| gptkbp:key |
D major
|
| gptkbp:legacy |
Continues to be a staple in orchestral repertoire
|
| gptkbp:movement |
gptkb:4
gptkb:Adagio_–_Allegro_con_brio Larghetto Scherzo: Allegro Allegro moderato – Presto |
| gptkbp:music_style |
Subject of many scholarly articles
Sonata form in first movement |
| gptkbp:notable_conductors |
gptkb:Herbert_von_Karajan
|
| gptkbp:notable_event |
Performed at significant cultural events
|
| gptkbp:notable_features |
Contrapuntal writing
|
| gptkbp:notable_performance |
gptkb:Vienna_Philharmonic
Standard repertoire for orchestras Notable performances that shaped its interpretation |
| gptkbp:notable_performers |
Various renowned soloists and conductors
|
| gptkbp:notable_recordings |
Multiple recordings available
Leonard Bernstein's recording Numerous recordings since the advent of audio technology |
| gptkbp:opus_number |
Op. 36
|
| gptkbp:orchestration |
2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, strings
|
| gptkbp:part_of |
Beethoven's symphonic repertoire
|
| gptkbp:performance |
Evolved over time with different interpretations
|
| gptkbp:performed_by |
Various orchestras worldwide
Concert halls globally |
| gptkbp:premiere_date |
April 5, 1803
|
| gptkbp:record_label |
Various record labels
|
| gptkbp:signature_move |
Use of contrasting dynamics
|
| gptkbp:style |
Classical
|
| gptkbp:theme |
Exploration of joy and struggle
|
| gptkbp:themes |
Joy and optimism
|
| gptkbp:year_composed |
1802
|