Statements (84)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:analysis |
widely studied in musicology
|
| gptkbp:associated_with |
20th-century piano concertos
Bartók's later works |
| gptkbp:characteristics |
complex harmonies
dynamic contrasts percussive elements contrasting themes lyrical passages |
| gptkbp:composer |
gptkb:Béla_Bartók
|
| gptkbp:critical_reception |
considered masterpieces
generally well-received |
| gptkbp:cultural_impact |
significant in classical repertoire
|
| gptkbp:cultural_significance |
important in classical music repertoire
important in Hungarian culture |
| gptkbp:dedication |
gptkb:Zoltán_Székely
|
| gptkbp:duration |
approximately 30 minutes
approximately 30 minutes each |
| gptkbp:filming_location |
gptkb:Borough
|
| gptkbp:first_performance |
1936
|
| gptkbp:genre |
classical music
|
| https://www.w3.org/2000/01/rdf-schema#label |
Bartók's Piano Concertos
|
| gptkbp:impact |
influential in 20th-century music
|
| gptkbp:influenced |
gptkb:musician
later composers contemporary classical music film composers |
| gptkbp:influenced_artists |
gptkb:Toru_Takemitsu
gptkb:György_Ligeti gptkb:Pierre_Boulez gptkb:László_Lajtha gptkb:Kurtág_György |
| gptkbp:influences |
gptkb:orchestra
gptkb:Hungarian_folk_music 20th-century classical music contemporary classical music |
| gptkbp:legacy |
subject of numerous analyses and interpretations
frequently featured in competitions part of standard concert repertoire remains popular among pianists considered masterpieces of the piano concerto repertoire influences modern piano concertos |
| gptkbp:notable_conductors |
gptkb:Sir_Adrian_Boult
|
| gptkbp:notable_features |
rhythmic complexity
folk music elements folk music influences |
| gptkbp:notable_performance |
gptkb:Piano_Concerto_No._1
gptkb:Piano_Concerto_No._2 gptkb:3 gptkb:Piano_Concerto_No._3 many renowned pianists frequently performed in concert halls pianists and orchestras completed in 1926 completed in 1931 completed in 1945 |
| gptkbp:notable_recordings |
gptkb:Daniel_Barenboim
gptkb:Martha_Argerich gptkb:András_Schiff gptkb:Leon_Fleisher gptkb:Emil_Gilels multiple recordings available widely recorded Daniel Barenboim's recording András Schiff's recording Yuja Wang's recording Martha Argerich's recording Emil Gilels' recording |
| gptkbp:orchestration |
orchestra and piano
|
| gptkbp:performance |
requires virtuosic technique
often features improvisation |
| gptkbp:premiere_date |
1936 for the first concerto
1945 for the third concerto 1946 for the second concerto |
| gptkbp:related_works |
gptkb:Piano_Sonata
|
| gptkbp:scholarly_analysis |
analyzed in musicology courses
|
| gptkbp:social_structure |
three movements
|
| gptkbp:style |
gptkb:church
|
| gptkbp:thematic_element |
use of motifs
contrast between soloist and orchestra use of dissonance exploration of rhythm |
| gptkbp:bfsParent |
gptkb:Ravel_Piano_Concerto_in_G
|
| gptkbp:bfsLayer |
6
|