|
gptkbp:instanceOf
|
gptkb:historical_period
|
|
gptkbp:centeredIn
|
gptkb:London
|
|
gptkbp:characteristic
|
basso continuo
contrast between solo and ensemble
use of ornamentation
|
|
gptkbp:genre
|
gptkb:ode
gptkb:flag
gptkb:opera
gptkb:orchestra
|
|
gptkbp:influencedBy
|
French Baroque music
Italian Baroque music
|
|
gptkbp:librettist
|
gptkb:Charles_Jennens
gptkb:Nahum_Tate
|
|
gptkbp:notableComposer
|
gptkb:George_Frideric_Handel
gptkb:Henry_Purcell
gptkb:John_Blow
gptkb:William_Boyce
|
|
gptkbp:notableContributor
|
gptkb:John_Walsh
|
|
gptkbp:notableEvent
|
first public concerts in London
|
|
gptkbp:notableFor
|
development of English oratorio
growth of choral societies
importation of foreign musicians
rise of public concerts
use of English language in sacred music
|
|
gptkbp:notableInstitution
|
gptkb:chapel
|
|
gptkbp:notablePerformer
|
gptkb:Farinelli
gptkb:John_Beard
|
|
gptkbp:notablePlace
|
gptkb:Westminster_Abbey
gptkb:Drury_Lane_Theatre
|
|
gptkbp:notableWork
|
gptkb:Dido_and_Aeneas
gptkb:Music_for_the_Royal_Fireworks
gptkb:Messiah
gptkb:The_Fairy_Queen
|
|
gptkbp:patronage
|
gptkb:nobleman
English monarchy
|
|
gptkbp:period
|
circa 1600-1750
|
|
gptkbp:popularInstrument
|
gptkb:organization
gptkb:violin
harpsichord
|
|
gptkbp:relatedTo
|
gptkb:English_Civil_War
Restoration period
|
|
gptkbp:bfsParent
|
gptkb:Music_of_the_Jacobean_Age
|
|
gptkbp:bfsLayer
|
8
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Baroque music in England
|