|
gptkbp:instanceOf
|
anthology
|
|
gptkbp:BWVRange
|
BWV 1–200+
|
|
gptkbp:composer
|
gptkb:Johann_Sebastian_Bach
|
|
gptkbp:firstPerformed
|
1707
|
|
gptkbp:genre
|
gptkb:orchestra
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Bachs Kantaten
|
|
gptkbp:influenced
|
classical music repertoire
later church music
|
|
gptkbp:instrumentation
|
gptkb:orchestra
|
|
gptkbp:language
|
gptkb:German
|
|
gptkbp:lastPerformance
|
1741
|
|
gptkbp:liturgicalUse
|
gptkb:church
special occasions
|
|
gptkbp:lostWorks
|
several
|
|
gptkbp:notableProject
|
gptkb:Bach_Cantata_Pilgrimage_(Gardiner)
Helmuth Rilling complete recording
Nikolaus Harnoncourt complete recording
Ton Koopman complete recording
|
|
gptkbp:notableWork
|
gptkb:Christ_lag_in_Todes_Banden,_BWV_4
gptkb:Ein_feste_Burg_ist_unser_Gott,_BWV_80
gptkb:Gottes_Zeit_ist_die_allerbeste_Zeit,_BWV_106
gptkb:Herz_und_Mund_und_Tat_und_Leben,_BWV_147
gptkb:Ich_habe_genug,_BWV_82
gptkb:Wachet_auf,_ruft_uns_die_Stimme,_BWV_140
|
|
gptkbp:numberOfBooks
|
over 200
|
|
gptkbp:period
|
Baroque
|
|
gptkbp:placeComposed
|
gptkb:Leipzig
gptkb:Weimar
gptkb:Köthen
|
|
gptkbp:survivingWorks
|
over 200
|
|
gptkbp:text
|
gptkb:Hebrew_Bible
gptkb:choral_music
contemporary poetry
|
|
gptkbp:vocalForces
|
gptkb:choral_music
soloists
|
|
gptkbp:bfsParent
|
gptkb:Karl_Nef
|
|
gptkbp:bfsLayer
|
8
|