gptkbp:instance_of
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gptkb:orcas
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gptkbp:adaptations
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arrangements for various ensembles
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gptkbp:associated_with
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gptkb:Easter
gptkb:Lent
gptkb:Good_Friday
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gptkbp:author
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gptkb:Christian_Friedrich_Henrici
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gptkbp:based_on
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the Passion of Jesus Christ
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gptkbp:composer
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gptkb:Johann_Sebastian_Bach
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gptkbp:cultural_significance
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performed during Holy Week
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gptkbp:first_published
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1830
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gptkbp:genre
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gptkb:sacred_music
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gptkbp:influenced
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later choral works
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gptkbp:influenced_by
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Baroque music
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gptkbp:inspired
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other composers
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gptkbp:instruments
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brass
strings
continuo
woodwinds
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gptkbp:involved_forces
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gptkb:orchestra
gptkb:choir
soloists
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gptkbp:language
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gptkb:German
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gptkbp:notable_conductors
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gptkb:Herbert_von_Karajan
gptkb:Nikolaus_Harnoncourt
gptkb:John_Eliot_Gardiner
gptkb:Philippe_Herreweghe
gptkb:Bernstein
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gptkbp:notable_influence
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gptkb:O_Haupt_voll_Blut_und_Wunden
Erbarme dich
Wir setzen uns mit Tränen nieder
Come, you daughters
Mache dich, mein Geist, bereit
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gptkbp:notable_performances
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concerts worldwide
historically informed performances
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gptkbp:notable_recordings
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gptkb:Harnoncourt's_recording
Masaaki Suzuki's recording
Gardiner's recording
Karl Richter's recording
Ton Koopman's recording
John Eliot Gardiner's recording
Andreas Spering's recording
Herreweghe's recording
Philippe Herreweghe's recording
Robert King’s recording
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gptkbp:number_of_pieces
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2
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gptkbp:performed_by
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many choirs
many orchestras
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gptkbp:premiere_date
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1727
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gptkbp:recordings
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numerous recordings available
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gptkbp:style
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lyrical
dramatic
counterpoint
expressive
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gptkbp:bfsParent
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gptkb:Masaaki_Suzuki
gptkb:Lucia_Popp
gptkb:E._Power_Biggs
gptkb:Gustav_Leonhardt
gptkb:The_Academy_of_Ancient_Music
gptkb:Klaus_Mertens
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gptkbp:bfsLayer
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5
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