|
gptkbp:instance_of
|
gptkb:musical
|
|
gptkbp:adaptations
|
modern interpretations
|
|
gptkbp:associated_with
|
gptkb:Holy_Week
|
|
gptkbp:audience
|
classical music enthusiasts
religious communities
|
|
gptkbp:based_on
|
the Passion narratives in the New Testament
|
|
gptkbp:characteristics
|
gptkb:choir
gptkb:orchestral_music
gptkb:voice_acting
|
|
gptkbp:composer
|
gptkb:Johann_Sebastian_Bach
|
|
gptkbp:cultural_significance
|
Christian liturgical music
|
|
gptkbp:first_performance
|
1727
|
|
gptkbp:genre
|
classical music
|
|
gptkbp:historical_context
|
18th century Germany
|
|
gptkbp:influence
|
subsequent composers
|
|
gptkbp:influenced_by
|
Baroque music
|
|
gptkbp:inspired_by
|
theological themes
|
|
gptkbp:instruments
|
brass
strings
continuo
woodwinds
|
|
gptkbp:language
|
gptkb:German
|
|
gptkbp:legacy
|
performed worldwide
studied in musicology
influential in choral repertoire
influential in orchestral repertoire
important part of Western classical music
|
|
gptkbp:notable_performances
|
conducted by Nikolaus Harnoncourt
conducted by John Eliot Gardiner
conducted by Philippe Herreweghe
|
|
gptkbp:notable_works
|
gptkb:St._John_Passion
gptkb:St._Matthew_Passion
|
|
gptkbp:performed_by
|
orchestras
|
|
gptkbp:performed_in
|
gptkb:church
gptkb:Easter
concert halls
|
|
gptkbp:recordings
|
numerous recordings exist
|
|
gptkbp:style
|
polyphony
counterpoint
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:sacrifice
faith
suffering
redemption
forgiveness
|
|
gptkbp:bfsParent
|
gptkb:Ton_Koopman
|
|
gptkbp:bfsLayer
|
6
|