gptkbp:instance_of
|
gptkb:musical_composition
|
gptkbp:arrangements
|
arranged for various instruments
|
gptkbp:associated_with
|
Baroque performance practice
|
gptkbp:audience
|
well-received by audiences
|
gptkbp:characteristics
|
dialogue between soloist and ensemble
|
gptkbp:composed_of
|
widely available
|
gptkbp:composer
|
gptkb:Johann_Sebastian_Bach
|
gptkbp:critical_reception
|
highly regarded by critics
|
gptkbp:cultural_impact
|
widely performed and recorded
|
gptkbp:dedicated_to
|
gptkb:none
|
gptkbp:duration
|
approximately 15 minutes
|
gptkbp:focuses_on
|
common in music education
|
gptkbp:form
|
gptkb:Piano_Sonata
|
gptkbp:genre
|
Baroque music
|
gptkbp:influenced
|
development of concerto form
|
gptkbp:influenced_artists
|
numerous composers
|
gptkbp:influenced_by
|
Italian Baroque composers
|
gptkbp:influences
|
Italian concerto style
|
gptkbp:inspiration
|
gptkb:Vivaldi's_concertos
|
gptkbp:instrumentation
|
harpsichord
|
gptkbp:is_a_venue_for
|
concert halls worldwide
|
gptkbp:key
|
F major
|
gptkbp:legacy
|
important part of Baroque repertoire
|
gptkbp:movement
|
gptkb:Allegro
gptkb:3
gptkb:cemetery
|
gptkbp:notable_features
|
use of ornamentation
rhythmic vitality
contrast between sections
melodic inventiveness
|
gptkbp:notable_performers
|
gptkb:Glenn_Gould
gptkb:Murray_Perahia
gptkb:András_Schiff
gptkb:Angela_Hewitt
|
gptkbp:notable_recordings
|
gptkb:Deutsche_Grammophon_recordings
gptkb:EMI_recordings
multiple recordings available
Naxos recordings
Sony Classical recordings
|
gptkbp:part_of
|
gptkb:Bach's_keyboard_works
Bach's legacy
|
gptkbp:performance
|
historically informed performance
|
gptkbp:performed_by
|
music festivals
|
gptkbp:premiere
|
not documented
|
gptkbp:published_by
|
gptkb:Clavier-Übung_II
|
gptkbp:related_works
|
Bach's other concertos
|
gptkbp:style
|
virtuosic
|
gptkbp:year_composed
|
1735
|
gptkbp:bfsParent
|
gptkb:Murray_Perahia
gptkb:Vladimir_Horowitz
gptkb:Alice_Sara_Ott
gptkb:Martha_Argerich
gptkb:Angela_Hewitt
|
gptkbp:bfsLayer
|
4
|