Bach: Concerto for Harpsichord and Orchestra No. 26
GPTKB entity
Statements (53)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:characteristics |
ornamentation
counterpoint thematic development dynamic contrasts use of motifs expressive melodies dialogue between soloist and orchestra use of ritornello form harmonic complexity use of dynamics rhythmic drive use of articulation use of improvisation use of phrasing use of thematic transformation use of cadences use of rhythmic patterns use of sequences use of melodic development use of counterpoint techniques use of harmonic progressions virtuosic harpsichord passages interplay of textures use of musical forms use of ornamentation techniques use of stylistic features |
| gptkbp:composer |
gptkb:orchestra
gptkb:Johann_Sebastian_Bach |
| gptkbp:cultural_significance |
important work in Baroque repertoire
|
| gptkbp:dedication |
none known
|
| gptkbp:duration |
approximately 15 minutes
|
| gptkbp:first_performance |
early 1730s
|
| gptkbp:form |
three-movement structure
|
| gptkbp:genre |
Baroque music
|
| gptkbp:influences |
Italian concertos
|
| gptkbp:instrument |
brass
strings harpsichord percussion continuo woodwinds |
| gptkbp:key |
D minor
|
| gptkbp:movement |
three
|
| gptkbp:notable_recordings |
gptkb:Murray_Perahia
gptkb:Angela_Hewitt |
| gptkbp:part_of |
gptkb:Bach's_harpsichord_concertos
|
| gptkbp:performed_by |
soloist and orchestra
|
| gptkbp:published_by |
posthumously
|
| gptkbp:related_works |
gptkb:Brandenburg_Concertos
|
| gptkbp:style |
concerto grosso
|
| gptkbp:bfsParent |
gptkb:Gustav_Leonhardt
|
| gptkbp:bfsLayer |
5
|