Bach: Concerto for Harpsichord and Orchestra No. 12
GPTKB entity
Statements (53)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:available_on |
gptkb:streaming_platforms
|
| gptkbp:characteristic |
ritornello form
contrapuntal texture virtuosic harpsichord passages |
| gptkbp:composer |
gptkb:Johann_Sebastian_Bach
|
| gptkbp:cultural_significance |
important work in Baroque repertoire
|
| gptkbp:dedicated_to |
gptkb:Prince_Leopold_of_Anhalt-Köthen
|
| gptkbp:duration |
approximately 15 minutes
|
| gptkbp:first_performance |
1738
|
| gptkbp:genre |
Baroque music
|
| gptkbp:historical_context |
written during Bach's time in Köthen
reflects Baroque musical practices part of a series of concertos |
| gptkbp:influenced |
later composers
|
| gptkbp:influenced_by |
French music
Italian concertos German musical traditions |
| gptkbp:instrument |
harpsichord
|
| gptkbp:is_analyzed_in |
music theory courses
|
| gptkbp:is_often_featured_in |
educational settings
concert programs |
| gptkbp:is_often_used_in |
music festivals
concert halls recitals chamber orchestras baroque ensembles |
| gptkbp:is_studied_in |
musicologists
music schools |
| gptkbp:key |
D minor
|
| gptkbp:notable_aspect |
emotional depth
complex rhythms use of ornamentation interplay between soloist and orchestra technical demands on the performer harpsichord as a solo instrument |
| gptkbp:notable_features |
dynamic contrasts
expressive melodies orchestral dialogue |
| gptkbp:notable_recordings |
gptkb:Murray_Perahia
gptkb:Angela_Hewitt |
| gptkbp:number_of_movements |
three
|
| gptkbp:often_includes |
anthologies of Baroque music
|
| gptkbp:orchestration |
gptkb:orchestra
|
| gptkbp:part_of |
gptkb:BWV_1052
|
| gptkbp:performed_by |
orchestras worldwide
soloists and orchestras |
| gptkbp:published_in |
1728
|
| gptkbp:recorded_by |
numerous artists
|
| gptkbp:related_to |
Bach's other concertos
|
| gptkbp:style |
Classical music
|
| gptkbp:bfsParent |
gptkb:Gustav_Leonhardt
|
| gptkbp:bfsLayer |
5
|