|
gptkbp:instance_of
|
gptkb:musical_composition
|
|
gptkbp:characteristic
|
ornamentation
counterpoint
dynamic contrasts
expressive melodies
|
|
gptkbp:composer
|
gptkb:Johann_Sebastian_Bach
|
|
gptkbp:cultural_significance
|
important work in classical music
|
|
gptkbp:dedicated_to
|
gptkb:Prince_Leopold_of_Anhalt-Cöthen
|
|
gptkbp:duration
|
approximately 15 minutes
|
|
gptkbp:genre
|
gptkb:Concerto_for_Orchestra
|
|
gptkbp:historical_context
|
written during the Baroque period
reflects the musical style of the time
performed at the court of Anhalt-Cöthen
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Bach's D minor concerto
|
|
gptkbp:influenced
|
later composers
|
|
gptkbp:influenced_by
|
Baroque music
|
|
gptkbp:instruments
|
gptkb:violin
strings
harpsichord
continuo
|
|
gptkbp:is_often_used_in
|
in concert halls
|
|
gptkbp:is_studied_in
|
in music schools
|
|
gptkbp:key
|
D minor
|
|
gptkbp:legacy
|
remains a staple of the violin repertoire
widely appreciated by audiences
frequently recorded
influential in the development of the concerto form
|
|
gptkbp:notable_performance
|
gptkb:Academy_of_St_Martin_in_the_Fields
|
|
gptkbp:notable_performers
|
gptkb:Maxim_Vengerov
gptkb:Augustin_Hadelich
gptkb:Janine_Jansen
gptkb:Itzhak_Perlman
gptkb:Joshua_Bell
gptkb:Anne-Sophie_Mutter
gptkb:Nigel_Kennedy
gptkb:Hilary_Hahn
gptkb:Viktoria_Mullova
gptkb:Rachel_Podger
|
|
gptkbp:notable_recordings
|
Yo-Yo Ma and the Silkroad Ensemble
|
|
gptkbp:number_of_movements
|
three
|
|
gptkbp:orchestration
|
solo violin and orchestra
|
|
gptkbp:part_of
|
gptkb:Brandenburg_Concertos
|
|
gptkbp:performed_by
|
orchestras worldwide
|
|
gptkbp:published_in
|
1723
|
|
gptkbp:related_to
|
gptkb:Bach's_Violin_Concertos
|
|
gptkbp:second_movement
|
gptkb:Allegro
gptkb:Largo
|
|
gptkbp:style
|
gptkb:Baroque
|
|
gptkbp:written_in
|
early 18th century
|
|
gptkbp:bfsParent
|
gptkb:Concerto_for_Organ_and_Orchestra
|
|
gptkbp:bfsLayer
|
5
|