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gptkbp:instance_of
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gptkb:film
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gptkbp:bfsLayer
|
4
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gptkbp:bfsParent
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gptkb:Gordon_Parks
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gptkbp:based_on
|
short story by John Steinbeck
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gptkbp:box_office
|
$1 million
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gptkbp:character
|
the protagonist
the antagonist
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gptkbp:character_development
|
complex characters
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gptkbp:cinematography
|
Robert De Grasse
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gptkbp:color
|
black and white
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gptkbp:country
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gptkb:United_States
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gptkbp:critical_reception
|
mixed reviews
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gptkbp:cultural_impact
|
influenced later films
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gptkbp:directed_by
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gptkb:Gregory_La_Cava
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gptkbp:distributor
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gptkb:RKO_Radio_Pictures
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gptkbp:edited_by
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George Hively
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gptkbp:editor
|
traditional editing
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gptkbp:film_festival
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gptkb:film_festival
|
|
gptkbp:film_score
|
dramatic score
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gptkbp:follows
|
The Great Lie
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gptkbp:genre
|
gptkb:High_School
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|
https://www.w3.org/2000/01/rdf-schema#label
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American Gothic (1942)
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gptkbp:influenced_by
|
gptkb:architect
gptkb:the_Great_Depression
gptkb:historical_event
gptkb:World_War_II
gptkb:American_Gothic_architecture
gptkb:mythological_figure
American literature
expressionism
cultural movements
literary movements
art movements
regionalism
social realism
film noir
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gptkbp:inspired_by
|
American Gothic art style
|
|
gptkbp:language
|
English
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|
gptkbp:music_by
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gptkb:Roy_Webb
|
|
gptkbp:narrative_style
|
linear narrative
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|
gptkbp:notable_appearance
|
emotional resolution
climactic confrontation
|
|
gptkbp:notable_quote
|
" I don't want to be a burden to you."
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|
gptkbp:precedes
|
gptkb:The_Man_Who_Came_to_Dinner
|
|
gptkbp:produced_by
|
gptkb:RKO_Pictures
|
|
gptkbp:production_company
|
gptkb:RKO_Pictures
|
|
gptkbp:release_date
|
April 1942
|
|
gptkbp:released_in
|
gptkb:1942
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Adele_Comandini
|
|
gptkbp:setting
|
rural America
|
|
gptkbp:starring
|
gptkb:Henry_Fonda
gptkb:Bette_Davis
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:military_conflict
isolation
family dynamics
|