|
gptkbp:instance_of
|
gptkb:Film_Director
|
|
gptkbp:active_years_end
|
1950
|
|
gptkbp:active_years_start
|
gptkb:1920
|
|
gptkbp:associated_with
|
gptkb:Columbia_Pictures
gptkb:RKO_Pictures
|
|
gptkbp:award
|
Academy Award for Best Director nomination
|
|
gptkbp:birth_date
|
1892-02-01
|
|
gptkbp:birth_place
|
gptkb:Tarrytown,_New_York,_USA
|
|
gptkbp:children
|
2
|
|
gptkbp:collaborated_with
|
gptkb:Rita_Hayworth
gptkb:Adolphe_Menjou
gptkb:Catherine_Hepburn
gptkb:James_M._Stewart
|
|
gptkbp:death_date
|
1952-01-31
|
|
gptkbp:death_place
|
gptkb:Hollywood,_California,_USA
|
|
gptkbp:education
|
gptkb:Columbia_University
|
|
gptkbp:film
|
gptkb:The_Star
|
|
gptkbp:film_debut
|
gptkb:The_Last_of_Mrs._Cheyney
|
|
gptkbp:film_technique
|
gptkb:romantic_comedy
gptkb:ensemble_cast
social issues
satirical humor
social commentary
emotional depth
strong female characters
social realism
character arcs
light-hearted tone
romantic tension
character-driven plots
dramatic tension
witty dialogue
character-driven narratives
screwball comedy
cynical humor
satire of social norms
|
|
gptkbp:genre
|
gptkb:comedy
gptkb:drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Gregory La Cava
|
|
gptkbp:influenced
|
gptkb:Billy_Wilder
gptkb:Martin_Scorsese
gptkb:Woody_Allen
gptkb:Frank_Capra
gptkb:Wes_Anderson
|
|
gptkbp:influenced_by
|
gptkb:film
|
|
gptkbp:known_for
|
social commentary in films
|
|
gptkbp:nationality
|
gptkb:American
|
|
gptkbp:notable_work
|
gptkb:The_More_the_Merrier
gptkb:My_Man_Godfrey
gptkb:stage_play
|
|
gptkbp:occupation
|
gptkb:Film_Director
gptkb:Screenwriter
|
|
gptkbp:spouse
|
gptkb:Marjorie_La_Cava
|
|
gptkbp:bfsParent
|
gptkb:stage_play
|
|
gptkbp:bfsLayer
|
4
|