|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
novel by Winston Graham
|
|
gptkbp:box_office
|
$7 million
|
|
gptkbp:budget
|
$3 million
|
|
gptkbp:character
|
gptkb:Marnie_Edgar
gptkb:Thelma
gptkb:Dr._Mark_Rutland
gptkb:Mark_Rutland
Mrs. Edgar
|
|
gptkbp:cinematography
|
gptkb:Robert_Burks
|
|
gptkbp:color
|
gptkb:Technicolor
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
cult following
|
|
gptkbp:director
|
gptkb:Alfred_Hitchcock
|
|
gptkbp:distributor
|
gptkb:Paramount_Pictures
|
|
gptkbp:edited_by
|
gptkb:George_Tomasini
|
|
gptkbp:genre
|
psychological thriller
|
|
gptkbp:hitchcock's_style
|
complex characters.
dark themes.
psychological depth.
suspenseful storytelling.
use of color.
character-driven plot.
tension building.
ambiguous morality.
unconventional narrative.
visual symbolism.
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Alfred Hitchcock's Marnie
|
|
gptkbp:influenced
|
future psychological thrillers.
|
|
gptkbp:influenced_by
|
gptkb:Psycho
|
|
gptkbp:influences
|
film noir
|
|
gptkbp:inspiration
|
Hitchcock's fascination with psychological themes.
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
considered a classic.
|
|
gptkbp:music_by
|
gptkb:Bernard_Herrmann
|
|
gptkbp:notable_scene
|
the horse scene
the opening credits
the climax at the mansion.
|
|
gptkbp:plot
|
A woman with a troubled past assumes different identities.
|
|
gptkbp:production_company
|
gptkb:Paramount_Pictures
|
|
gptkbp:release_country
|
gptkb:United_States
|
|
gptkbp:release_date
|
gptkb:1964
|
|
gptkbp:remake
|
gptkb:none
|
|
gptkbp:runtime
|
130 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Jay_Presson_Allen
|
|
gptkbp:starring
|
gptkb:Sean_Connery
gptkb:Tippi_Hedren
|
|
gptkbp:themes
|
gptkb:identity
trauma
control
|
|
gptkbp:bfsParent
|
gptkb:Marnie
|
|
gptkbp:bfsLayer
|
4
|