|
gptkbp:instance_of
|
gptkb:fictional_character
|
|
gptkbp:adaptation
|
novel by Winston Graham
|
|
gptkbp:appears_in
|
gptkb:Marnie_(1964_film)
|
|
gptkbp:box_office
|
moderate success
|
|
gptkbp:character_arc
|
redemption
self-discovery
|
|
gptkbp:character_traits
|
gptkb:complex
vulnerable
intelligent
manipulative
independent
resourceful
conflicted
mysterious
emotionally scarred
|
|
gptkbp:cinematography_by
|
gptkb:Robert_Burks
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:created_by
|
gptkb:Alfred_Hitchcock
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
film studies
feminist analysis
|
|
gptkbp:edited_by
|
gptkb:George_Tomasini
|
|
gptkbp:financial_support
|
psychological trauma
|
|
gptkbp:gender
|
gptkb:Female
|
|
gptkbp:genre
|
gptkb:thriller
psychological drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Marnie Edgar
|
|
gptkbp:influence
|
film noir
psychological thrillers
|
|
gptkbp:inspiration
|
Hitchcock's fascination with women
psychological themes in cinema
|
|
gptkbp:is_motivated_by
|
fear of intimacy
desire for control
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
iconic character
Hitchcock's filmography
|
|
gptkbp:music_by
|
gptkb:Bernard_Herrmann
|
|
gptkbp:notable_scene
|
theft of money
confrontation with Mark
flashback to childhood
|
|
gptkbp:occupation
|
gptkb:crime
|
|
gptkbp:portrayed_by
|
gptkb:Tippi_Hedren
|
|
gptkbp:production_company
|
gptkb:Paramount_Pictures
|
|
gptkbp:relationship_with
|
gptkb:Mark_Rutland
|
|
gptkbp:release_date
|
1964-07-22
|
|
gptkbp:runtime
|
130 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Jay_Presson_Allen
|
|
gptkbp:setting
|
gptkb:United_States
|
|
gptkbp:symbolism
|
gptkb:green
gptkb:red
the color blue
the color white
|
|
gptkbp:theme
|
gptkb:deception
gptkb:identity
sexuality
|
|
gptkbp:bfsParent
|
gptkb:Marnie
gptkb:Tippi_Hedren
gptkb:Marnie_(1964)
|
|
gptkbp:bfsLayer
|
4
|