Statements (67)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:Concerto_for_Orchestra
|
| gptkbp:arrangements |
Various arrangements for different ensembles.
|
| gptkbp:artistic_influence |
Impact on contemporary piano concertos.
|
| gptkbp:artistic_innovation |
Innovative use of orchestration.
|
| gptkbp:artistic_legacy |
Continues to be performed and recorded.
A key work in the contemporary classical repertoire. Part of the American classical music heritage. |
| gptkbp:audience |
Well-received by audiences.
Engages audiences with its rhythmic vitality. |
| gptkbp:collaboration |
Collaborative work with various artists.
|
| gptkbp:collaborations |
Collaborated with various soloists.
|
| gptkbp:composer |
gptkb:John_Adams
Inspired by personal and cultural experiences. |
| gptkbp:composer_background |
John Adams is an American composer.
|
| gptkbp:composer_influence |
Influenced by jazz and popular music.
|
| gptkbp:composer_interviews |
Discussed in interviews by John Adams.
|
| gptkbp:composer_legacy |
Part of John Adams' significant body of work.
|
| gptkbp:composer_style |
Reflects John Adams' unique compositional style.
|
| gptkbp:critical_analysis |
Analyzed in musicology studies.
|
| gptkbp:critical_reception |
Positive reviews
|
| gptkbp:cultural_impact |
Influenced contemporary piano concertos.
|
| gptkbp:cultural_significance |
Relevant in discussions of modern classical music.
Represents contemporary American music. Significant in the context of American music. |
| gptkbp:dedication |
To the memory of the composer’s mother
|
| gptkbp:demographics |
Appeals to both classical and contemporary music fans.
|
| gptkbp:duration |
approximately 20 minutes
|
| gptkbp:educational_use |
Used in music education.
|
| gptkbp:famous_event |
Featured in major music festivals.
|
| gptkbp:first_performance |
gptkb:San_Francisco_Symphony
|
| gptkbp:genre |
Classical music
|
| gptkbp:historical_context |
Written during a period of musical experimentation.
|
| https://www.w3.org/2000/01/rdf-schema#label |
Adams Piano Concerto
|
| gptkbp:influenced_artists |
Considered a significant work in the piano repertoire.
|
| gptkbp:influenced_by |
Minimalist composers like Steve Reich.
|
| gptkbp:influences |
American classical music
|
| gptkbp:inspiration |
Personal experiences of the composer.
|
| gptkbp:instrumentation |
Piano, Orchestra
|
| gptkbp:music_education |
Often studied in music composition courses.
|
| gptkbp:music_style |
Sonata form in the first movement.
Incorporates elements of minimalism. Use of repetition and variation. Utilizes complex rhythms and harmonies. |
| gptkbp:musical_experience |
Offers a unique listening experience.
|
| gptkbp:musical_exploration |
Explores the relationship between soloist and orchestra.
|
| gptkbp:musical_expressions |
Expresses a wide range of emotions.
|
| gptkbp:musical_motifs |
Features recurring motifs throughout.
|
| gptkbp:notable_collection |
Performed by the New York Philharmonic.
|
| gptkbp:notable_conductors |
gptkb:Esa-Pekka_Salonen
|
| gptkbp:notable_feature |
Rhythmic complexity and harmonic language.
|
| gptkbp:notable_performers |
gptkb:Yuja_Wang
|
| gptkbp:notable_production |
Performed at major music festivals.
|
| gptkbp:notable_recordings |
Yuja Wang with the Los Angeles Philharmonic
|
| gptkbp:performance |
Performed by major orchestras worldwide.
|
| gptkbp:performance_approach |
Requires a collaborative approach between pianist and conductor.
|
| gptkbp:performance_style |
Dynamic and expressive.
|
| gptkbp:performance_techniques |
Requires advanced piano techniques.
|
| gptkbp:performance_venue |
Performed in concert halls worldwide.
|
| gptkbp:premiere |
gptkb:1986
|
| gptkbp:record_label |
gptkb:Nonesuch_Records
|
| gptkbp:recording_year |
Multiple recordings since its premiere.
|
| gptkbp:related_works |
gptkb:Concerto_for_Orchestra
|
| gptkbp:structure |
Three movements
|
| gptkbp:style |
gptkb:Minimalism
|
| gptkbp:thematic_element |
Explores themes of memory and time.
|
| gptkbp:bfsParent |
gptkb:Stephen_Hough
|
| gptkbp:bfsLayer |
5
|