|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:television_series
gptkb:radio_station
gptkb:theater
gptkb:film
|
|
gptkbp:aspect_ratio
|
1.37:1
|
|
gptkbp:author
|
gptkb:Ivan_Goncharov
|
|
gptkbp:award
|
gptkb:Golden_Lion
|
|
gptkbp:based_on
|
novel Oblomov by Ivan Goncharov
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:character
|
gptkb:Liza
Andrei
Zinaida
the landlady
Shultz
|
|
gptkbp:character_development
|
Oblomov's transformation
|
|
gptkbp:character_relationships
|
Oblomov and Olga
Oblomov and Stoltz
Oblomov and his servant
|
|
gptkbp:cinematography
|
Vladimir Ilyin
|
|
gptkbp:color
|
gptkb:Color
|
|
gptkbp:conflict
|
internal conflict
|
|
gptkbp:country
|
gptkb:Soviet_Union
|
|
gptkbp:critical_reception
|
positive
well-received
|
|
gptkbp:cultural_impact
|
influential in Russian cinema
inspired discussions on laziness
|
|
gptkbp:depicts
|
the life of a lazy nobleman
|
|
gptkbp:director
|
gptkb:Nikita_Mikhalkov
|
|
gptkbp:distributor
|
gptkb:Sovexportfilm
|
|
gptkbp:editor
|
Lyudmila Frolova
|
|
gptkbp:explores
|
gptkb:cultural_identity
relationships
moral dilemmas
social norms
ambition
disillusionment
personal freedom
self-identity
existential crisis
human condition
cultural critique
themes of love and duty
|
|
gptkbp:features
|
a melancholic tone
|
|
gptkbp:film_editing
|
Lyudmila Frolova
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_length
|
90 minutes
|
|
gptkbp:film_score
|
gptkb:Andrei_Petrov
|
|
gptkbp:filming_location
|
gptkb:Moscow
|
|
gptkbp:genre
|
gptkb:drama
literary fiction
|
|
gptkbp:has_prequel
|
gptkb:none
|
|
gptkbp:has_sequel
|
gptkb:none
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
A Few Days in the Life of I. I. Oblomov
|
|
gptkbp:influence
|
Russian literature
psychological literature
|
|
gptkbp:influenced
|
subsequent Russian authors
subsequent Russian films
|
|
gptkbp:influenced_by
|
gptkb:Goncharov's_Oblomov
Russian literature
|
|
gptkbp:influences
|
gptkb:French_literature
German literature
|
|
gptkbp:inspiration
|
Oblomovism
|
|
gptkbp:language
|
gptkb:Russian
|
|
gptkbp:main_character
|
gptkb:I._I._Oblomov
gptkb:Ilya_Ilyich_Oblomov
|
|
gptkbp:motif
|
gptkb:dreams
gptkb:identity
change
|
|
gptkbp:music
|
gptkb:Andrei_Petrov
|
|
gptkbp:narrative_style
|
realism
non-linear
|
|
gptkbp:notable_actor
|
gptkb:Vladimir_Menshov
gptkb:Oleg_Basilashvili
gptkb:Aleksandr_Kalyagin
gptkb:Inna_Churikova
Vladimir Samoilov
|
|
gptkbp:notable_scene
|
Oblomov's conversations with Olga
Oblomov's daydreams
Oblomov's interactions with his friends
Oblomov's realization of his situation
Oblomov's reflections on life
|
|
gptkbp:notable_themes
|
gptkb:existentialism
personal relationships
class struggle
|
|
gptkbp:portrayed_in
|
the struggle between action and inaction
|
|
gptkbp:production_company
|
gptkb:Mosfilm
|
|
gptkbp:protagonist
|
gptkb:Oblomov
|
|
gptkbp:published
|
1859
|
|
gptkbp:published_in
|
gptkb:Russia
|
|
gptkbp:release_date
|
1979-09-01
|
|
gptkbp:release_year
|
gptkb:1979
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenings
|
gptkb:television
|
|
gptkbp:screenplay
|
gptkb:Nikita_Mikhalkov
|
|
gptkbp:setting
|
gptkb:St._Petersburg
19th century Russia
|
|
gptkbp:style
|
satirical
|
|
gptkbp:symbolism
|
Oblomovka
|
|
gptkbp:theme
|
gptkb:existentialism
social criticism
laziness
indolence
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:bfsParent
|
gptkb:Nikita_Mikhalkov
|
|
gptkbp:bfsLayer
|
4
|