|
gptkbp:instance_of
|
gptkb:play
|
|
gptkbp:bfsLayer
|
5
|
|
gptkbp:bfsParent
|
gptkb:Tony_Awards_2017
gptkb:Lucas_Hnath
gptkb:Condola_Rashad
|
|
gptkbp:activities
|
two acts
|
|
gptkbp:adaptation
|
gptkb:A_Doll's_House
|
|
gptkbp:audience
|
adults
|
|
gptkbp:awards
|
gptkb:Tony_Award_for_Best_Play
|
|
gptkbp:box_office
|
successful
|
|
gptkbp:character
|
gptkb:Torvald_Helmer
gptkb:Emmy_Helmer
gptkb:Anne_Marie
gptkb:Nora_Helmer
|
|
gptkbp:character_development
|
Nora's journey
Emmy's role
Torvald's perspective
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:directed_by
|
gptkb:Sam_Gold
|
|
gptkbp:discusses
|
personal growth
self-discovery
family dynamics
|
|
gptkbp:duration
|
90 minutes
|
|
gptkbp:explores
|
social expectations
gender roles
personal freedom
the concept of sacrifice
the concept of home
the concept of love
|
|
gptkbp:features
|
contemporary issues
|
|
gptkbp:first_performance
|
gptkb:South_Coast_Repertory_Theatre
|
|
gptkbp:follows
|
gptkb:A_Doll's_House
|
|
gptkbp:genre
|
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
A Doll's House, Part 2
|
|
gptkbp:influenced
|
feminist literature
theater community
modern drama
|
|
gptkbp:influenced_by
|
gptkb:Henrik_Ibsen
|
|
gptkbp:inspired_by
|
gptkb:A_Doll's_House
|
|
gptkbp:is_available_on
|
gptkb:streaming_platforms
|
|
gptkbp:language
|
English
|
|
gptkbp:notable_performance
|
gptkb:musical
|
|
gptkbp:official_language
|
English
|
|
gptkbp:performed_by
|
theaters worldwide
|
|
gptkbp:premiered_on
|
gptkb:2017
|
|
gptkbp:produced_by
|
Theater companies
|
|
gptkbp:published_by
|
gptkb:2017
gptkb:Theater_Communications_Group
|
|
gptkbp:set_in
|
gptkb:Norway
|
|
gptkbp:setting
|
Nora's home
|
|
gptkbp:style
|
modern
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:philosopher
gptkb:award
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:written_by
|
gptkb:Lucas_Hnath
|