Statements (75)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:audience |
Cult following.
|
| gptkbp:box_office |
$11.2 million
|
| gptkbp:budget |
$6 million
|
| gptkbp:character_arc |
Redemption and loss.
|
| gptkbp:character_development |
Complex characters.
|
| gptkbp:character_relationships |
Conflict between characters.
Explores loyalty among outlaws. |
| gptkbp:cinematography_by |
gptkb:Lucien_Ballard
|
| gptkbp:color |
gptkb:Technicolor
|
| gptkbp:country |
gptkb:United_States
|
| gptkbp:critical_reception |
Mixed reviews upon release.
|
| gptkbp:cultural_impact |
Influential in the Western genre.
|
| gptkbp:cultural_references |
Referenced in various media.
|
| gptkbp:cultural_significance |
Considered a classic.
|
| gptkbp:director |
gptkb:Sam_Peckinpah
|
| gptkbp:editing |
gptkb:Robert_Parrish
|
| gptkbp:film_editing |
gptkb:Robert_Parrish
|
| gptkbp:film_score |
Jerry Fielding's score is notable.
|
| gptkbp:film_technique |
Anti-hero protagonists.
Influenced filmmakers worldwide. Cynical view of the Old West. Innovative use of slow motion. Realistic portrayal of violence. |
| gptkbp:filming_location |
Mexico.
|
| gptkbp:filmography |
Analyzed for its themes and style.
|
| gptkbp:focus |
Aging outlaws.
|
| gptkbp:genre |
Western
|
| gptkbp:has_cameo |
Various actors in minor roles.
|
| gptkbp:historical_context |
Set during the decline of the Old West.
|
| gptkbp:home_media_release |
Released on DVD and Blu-ray.
|
| https://www.w3.org/2000/01/rdf-schema#label |
the Wild Bunch
|
| gptkbp:influenced |
Modern action films.
Later Western films. Film directors like Quentin Tarantino. |
| gptkbp:influenced_by |
Spaghetti Westerns.
American Western films. |
| gptkbp:inspiration |
Based on the real-life events of the 1910s.
|
| gptkbp:language |
English
|
| gptkbp:legacy |
Considered a turning point in Westerns.
Re-evaluated as a masterpiece. |
| gptkbp:music_by |
gptkb:Jerry_Fielding
|
| gptkbp:narrative |
A group of outlaws plan a train robbery.
|
| gptkbp:notable_awards |
Academy Award nomination for Best Original Screenplay.
Cannes Film Festival Best Director. |
| gptkbp:notable_quote |
“ It’s a hell of a thing, killing a man.”
“ You’re not going to die, you’re going to live.” “ We’re all going to die.” |
| gptkbp:notable_scene |
The opening scene.
The final shootout. The train robbery. |
| gptkbp:performance |
Loosely based on historical events.
|
| gptkbp:production_company |
gptkb:Columbia_Pictures
|
| gptkbp:release_country |
gptkb:United_States
|
| gptkbp:release_date |
gptkb:1969
|
| gptkbp:release_format |
Theatrical
|
| gptkbp:remake |
Remake in development.
The Wild Bunch (2019) -announced. |
| gptkbp:restoration |
Preserved in the National Film Registry.
|
| gptkbp:runtime |
145 minutes
|
| gptkbp:screenplay_by |
gptkb:Sam_Peckinpah
gptkb:Walon_Green |
| gptkbp:setting |
Mexican Revolution.
|
| gptkbp:starring |
gptkb:Robert_Ryan
gptkb:William_Holden gptkb:Edmond_O'_Brien gptkb:Warren_Oates gptkb:Ben_Johnson gptkb:Jaime_Sánchez gptkb:Ernest_Borgnine |
| gptkbp:themes |
Friendship and betrayal.
Violence and morality. |
| gptkbp:bfsParent |
gptkb:Wyatt_Earp
gptkb:the_James-Younger_Gang |
| gptkbp:bfsLayer |
5
|