Statements (50)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:adaptation |
gptkb:musical
gptkb:opera gptkb:film |
| gptkbp:character |
gptkb:weapon
gptkb:Fenton gptkb:Sir_Hugh_Evans gptkb:Doctor_Caius gptkb:Anne_Page gptkb:Bardolph Nym |
| gptkbp:cultural_impact |
inspired various adaptations
performed worldwide influenced modern comedy subject of scholarly analysis adapted into various languages featured in festivals analyzed for its narrative structure inspired literary critiques included in educational curricula influenced theatrical traditions explored themes of gender roles featured in television adaptations examined the nature of love celebrated for its witty dialogue depicted social class dynamics highlighted the folly of jealousy performed in theaters globally recognized for its strong female characters showcased Shakespeare's humor |
| gptkbp:first_performance |
1602
|
| gptkbp:genre |
gptkb:musical
|
| https://www.w3.org/2000/01/rdf-schema#label |
the Merry Wives of Windsor
|
| gptkbp:influence |
subsequent comedies
|
| gptkbp:language |
English
|
| gptkbp:main_character |
gptkb:Falstaff
gptkb:Mistress_Ford gptkb:Mistress_Page |
| gptkbp:plot |
Falstaff's attempts to woo two married women
the comedic misunderstandings among characters the romantic entanglements of Anne Page the women's clever schemes against Falstaff |
| gptkbp:published_by |
gptkb:First_Folio
|
| gptkbp:setting |
gptkb:Windsor,_England
|
| gptkbp:themes |
gptkb:award
gptkb:Community_Center gptkb:military_operation |
| gptkbp:written_by |
gptkb:Educational_Institution
|
| gptkbp:bfsParent |
gptkb:Poins
|
| gptkbp:bfsLayer |
4
|