Statements (65)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
theater
|
| gptkbp:characterizedBy |
political themes
|
| gptkbp:developedBy |
gptkb:Germany
|
| gptkbp:emphasizes |
social critique
|
| gptkbp:features |
multimedia elements
|
| https://www.w3.org/2000/01/rdf-schema#label |
post-war German theater
|
| gptkbp:includes |
experimental theater
Absurdist plays political cabaret |
| gptkbp:influencedBy |
Brechtian techniques
|
| gptkbp:is_used_in |
community engagement
satire cultural references environmental issues media representation historical events historical narratives improvisation social justice issues cultural memory digital technology symbolism interdisciplinary approaches totalitarianism capitalism physical theater site-specific performances social norms traditional narratives visual artists absurdism dark humor gender roles the human condition personal narratives monologues audience expectations existential themes identity politics collaborative processes local contexts historical trauma the role of the artist issues of migration collaborative art forms music and sound design guilt and responsibility new media. German_identity non-linear_storytelling |
| gptkbp:notableFigures |
gptkb:Heiner_Müller
gptkb:Peter_Handke gptkb:Friedrich_Dürrenmatt gptkb:Thomas_Bernhard gptkb:Rainer_Werner_Fassbinder |
| gptkbp:notableWorks |
gptkb:The_Resistible_Rise_of_Arturo_Ui
The Threepenny Opera The Visit Waiting for Godot The Physicists |
| gptkbp:originatesFrom |
gptkb:World_War_II
|
| gptkbp:popularActivities |
global issues
authority audience participation philosophical questions |