gptkbp:instance_of
|
gptkb:play
|
gptkbp:adaptation
|
gptkb:radio_station
gptkb:television
|
gptkbp:associated_with
|
gptkb:The_Goon_Show
|
gptkbp:audience
|
general public
|
gptkbp:character
|
gptkb:The_Narrator
gptkb:The_Doctor
gptkb:The_Colonel
gptkb:Ned
Mervyn
Mrs. Mervyn
|
gptkbp:collaborated_with
|
gptkb:Peter_Sellers
gptkb:Harry_Secombe
gptkb:Michael_Bentine
|
gptkbp:critical_reception
|
mixed reviews
|
gptkbp:cultural_impact
|
influenced British comedy
|
gptkbp:first_performance
|
1950s
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gptkbp:format
|
gptkb:C_programming_language
|
gptkbp:genre
|
gptkb:comedy
|
gptkbp:historical_context
|
post-war Britain
|
https://www.w3.org/2000/01/rdf-schema#label
|
play by Spike Milligan
|
gptkbp:influenced
|
gptkb:Monty_Python
British humor
|
gptkbp:influenced_by
|
gptkb:Vaudeville
gptkb:concert_hall
gptkb:absurdism
gptkb:Dadaism
|
gptkbp:inspired_by
|
personal experiences
|
gptkbp:language
|
English
|
gptkbp:notable_performance
|
gptkb:radio_station
gptkb:television_special
live theater
|
gptkbp:notable_quote
|
" The only thing I can do is make people laugh."
|
gptkbp:notable_themes
|
gptkb:existentialism
gptkb:satire
gptkb:friendship
gptkb:identity
the absurd
social commentary
war and peace
the human condition
family dynamics
absurdity of life
|
gptkbp:notable_work
|
gptkb:The_Goon_Show
|
gptkbp:performed_by
|
gptkb:The_Goons
|
gptkbp:premise
|
absurd situations
|
gptkbp:published_in
|
book form
|
gptkbp:setting
|
various locations
|
gptkbp:style
|
surrealism
|
gptkbp:theme
|
gptkb:humor
|
gptkbp:written_by
|
gptkb:Spike_Milligan
|
gptkbp:bfsParent
|
gptkb:The_Bed-Sitting_Room
|
gptkbp:bfsLayer
|
5
|