|
gptkbp:instance_of
|
gptkb:artwork
|
|
gptkbp:associated_with
|
pop art
|
|
gptkbp:cultural_impact
|
gptkb:Monarch
consumerism
post-World War II America
mass media
|
|
gptkbp:exhibition
|
gptkb:The_1964_World's_Fair
gptkb:The_New_American_Painting
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
neo-dada
|
|
gptkbp:impact
|
gptkb:soundtrack
|
|
gptkbp:influenced_by
|
gptkb:Dada
|
|
gptkbp:is_characterized_by
|
anti-art sentiments
|
|
gptkbp:is_criticized_for
|
commercialism
lack of originality
|
|
gptkbp:key
|
gptkb:musical
gptkb:collaboration
gptkb:comic_book
social commentary
irony
audience participation
interdisciplinary approach
exploration of identity
cultural critique
exploration of reality
rejection of traditional aesthetics
exploration of perception
embrace of chaos
exploration of meaning
exploration of value
democratization of art
exploration of context
|
|
gptkbp:legacy
|
influence on performance art
influence on installation art
influence on street art
influence on conceptual art
|
|
gptkbp:movement
|
gptkb:Fluxus
gptkb:Minimalism
Conceptual art
|
|
gptkbp:notable_artists
|
gptkb:Richard_Hamilton
gptkb:George_Segal
gptkb:Jasper_Johns
gptkb:Andy_Warhol
gptkb:Robert_Rauschenberg
gptkb:Robert_Indiana
gptkb:Claes_Oldenburg
|
|
gptkbp:origin
|
gptkb:United_States
|
|
gptkbp:premiered_on
|
1950s
|
|
gptkbp:technique
|
gptkb:artwork
collage
assemblage
found objects
|
|
gptkbp:bfsParent
|
gptkb:Robert_Rauschenberg
|
|
gptkbp:bfsLayer
|
3
|