|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:aimsTo
|
capturing reality as it happens
|
|
gptkbp:characterizedBy
|
minimal filmmaker intervention
observational filmmaking
|
|
gptkbp:contrastsWith
|
traditional documentary
cinéma vérité (in approach)
|
|
gptkbp:emergedIn
|
late 1950s
early 1960s
|
|
gptkbp:focusesOn
|
real-life situations
non-actors
unscripted events
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
direct cinema
|
|
gptkbp:influenced
|
modern documentary filmmaking
|
|
gptkbp:influencedBy
|
synchronous sound equipment
technological advances in portable cameras
|
|
gptkbp:languageOfOrigin
|
English
|
|
gptkbp:notableFor
|
gptkb:Albert_Maysles
gptkb:D._A._Pennebaker
gptkb:Richard_Leacock
gptkb:David_Maysles
gptkb:Frederick_Wiseman
|
|
gptkbp:notableWork
|
gptkb:Gimme_Shelter_(1970_film)
gptkb:Primary_(1960_film)
gptkb:Salesman_(1969_film)
gptkb:Titicut_Follies_(1967_film)
|
|
gptkbp:originatedIn
|
gptkb:Canada
gptkb:United_States
|
|
gptkbp:relatedTo
|
gptkb:cinéma_vérité
|
|
gptkbp:technique
|
handheld camera
synchronous sound recording
|
|
gptkbp:bfsParent
|
gptkb:Man_with_a_Movie_Camera
gptkb:cinéma_vérité
|
|
gptkbp:bfsLayer
|
6
|