Properties (52)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
film
|
| gptkbp:awards |
Filmfare Award for Best Story
Filmfare Award for Best Dialogue Filmfare Award for Best Editing |
| gptkbp:boxOffice |
successful
|
| gptkbp:cinematographyBy |
gptkb:K._S._Prakash_Rao
|
| gptkbp:country |
gptkb:India
|
| gptkbp:criticalReception |
positive
|
| gptkbp:culturalImpact |
pioneered the 'angry young man' trope.
|
| gptkbp:culturalSignificance |
reflected societal issues of the time.
|
| gptkbp:directedBy |
gptkb:Prakash_Mehra
|
| gptkbp:distributor |
Cinemas_of_India
|
| gptkbp:editedBy |
gptkb:M._S._Shinde
|
| gptkbp:famousFor |
dialogue_'Yeh_police_station_hai,_tumhare_baap_ka_ghar_nahi'.
|
| gptkbp:featuresExhibits |
'Kaaton Se Kaaton Ko'.
'Yaari Hai Imaan Mera'. 'Aankhon_Ki_Masti'. 'Chura_Liya_Hai_Tumne'. 'De_Dee_Hain'. |
| gptkbp:genre |
drama
action |
| https://www.w3.org/2000/01/rdf-schema#label |
Zanjeer
|
| gptkbp:influenced |
Bollywood films
action_genre_in_Bollywood. future_Bollywood_action_films. the_portrayal_of_police_in_Indian_cinema. |
| gptkbp:inspiration |
several remakes and adaptations.
the 'masala' film genre. |
| gptkbp:language |
Hindi
|
| gptkbp:legacy |
considered_a_classic_in_Indian_cinema.
|
| gptkbp:musicBy |
gptkb:Kalyanji-Anandji
|
| gptkbp:notableFeature |
the climax fight scene.
the confrontation with the antagonist. the courtroom scene. the emotional scenes with the lead character. the introduction of the protagonist. Best_Actor_at_the_Filmfare_Awards. Best_Dialogue_at_the_Filmfare_Awards. Best_Director_at_the_Filmfare_Awards. Best_Film_at_the_Filmfare_Awards. Best_Story_at_the_Filmfare_Awards. |
| gptkbp:notableFor |
Amitabh_Bachchan's_breakthrough_role
|
| gptkbp:plot |
A police officer seeks revenge for his parents' murder.
|
| gptkbp:productionCompany |
gptkb:Prakash_Mehra_Productions
|
| gptkbp:releasedIn |
1973
|
| gptkbp:renovated |
gptkb:Tamil
Telugu |
| gptkbp:screenplayBy |
gptkb:Salim-Javed
|
| gptkbp:starring |
gptkb:Amitabh_Bachchan
gptkb:Jaya_Bachchan Pran Ajit |