Statements (91)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:audience |
Cult following.
Well-received by audiences. High tension. |
| gptkbp:awards |
Nominated for several awards.
|
| gptkbp:based_on |
gptkb:The_Frightened_Lady
|
| gptkbp:box_office |
£100,000
Distributed by Gaumont British. |
| gptkbp:cast |
gptkb:Derrick_De_Marney
gptkb:Edward_Rigby gptkb:Nova_Pilbeam gptkb:Percy_Marmont gptkb:John_Longden Mary Clare |
| gptkbp:character |
Quest for truth.
|
| gptkbp:character_arc |
Transformation of the protagonist.
Growth of the protagonist. |
| gptkbp:character_development |
Focus on innocence and guilt.
|
| gptkbp:character_relationships |
Romantic subplot.
Complex relationships. Man vs. society. |
| gptkbp:cinematography |
gptkb:Robert_Burks
Notable for its visual style. |
| gptkbp:color |
Black and white
|
| gptkbp:composer |
gptkb:Charles_Williams
|
| gptkbp:country |
gptkb:United_Kingdom
|
| gptkbp:critical_reception |
Positive reviews
|
| gptkbp:cultural_impact |
Influenced later thrillers.
Examined in film history. |
| gptkbp:cultural_significance |
Part of Hitchcock's legacy.
|
| gptkbp:demographics |
General audience.
|
| gptkbp:director |
gptkb:Alfred_Hitchcock
|
| gptkbp:distributor |
gptkb:Gaumont_British_Distributors
|
| gptkbp:editor |
gptkb:Roderick_Jaynes
|
| gptkbp:film_festival |
gptkb:BFI_London_Film_Festival
|
| gptkbp:film_series |
Hitchcock's British films
|
| gptkbp:filming_location |
gptkb:England
|
| gptkbp:filmography |
Montage
Studied in film courses. Influenced future filmmakers. Use of shadows. Influenced the thriller genre. Considered a significant work. Use of close-ups. Well-developed characters. Classic thriller. Edited by Roderick Jaynes. Produced by Gaumont British. |
| gptkbp:genre |
gptkb:film
Score by Charles Williams. |
| gptkbp:historical_analysis |
Contextualized in film history.
|
| gptkbp:historical_context |
Pre-World War II cinema.
|
| gptkbp:historical_significance |
Reflects societal issues of the time.
|
| gptkbp:home_media_release |
DVD and Blu-ray
|
| https://www.w3.org/2000/01/rdf-schema#label |
Young and Innocent
|
| gptkbp:influences |
gptkb:Film_noir
|
| gptkbp:inspiration |
Hitchcock's own experiences.
|
| gptkbp:is_critical_for |
Examined in film studies.
|
| gptkbp:is_criticized_for |
Analyzed for its themes.
Praised for direction. |
| gptkbp:is_influential_in |
Innovative camera work.
|
| gptkbp:is_motivated_by |
Desire for freedom.
|
| gptkbp:language |
English
|
| gptkbp:legacy |
Influential in thriller genre.
Considered a classic Hitchcock film. |
| gptkbp:motif |
Recurring themes of innocence.
|
| gptkbp:narrative_style |
Linear storytelling.
Engaging plot. |
| gptkbp:notable_appearance |
The chase sequence.
|
| gptkbp:notable_feature |
Use of a moving camera
|
| gptkbp:photography |
Dynamic and fluid.
|
| gptkbp:plot |
A man is accused of murder and must prove his innocence.
|
| gptkbp:premiere |
gptkb:Borough
|
| gptkbp:production_company |
gptkb:Gaumont_British_Picture_Corporation
|
| gptkbp:public_perception |
Emotional investment.
|
| gptkbp:release_date |
1937
|
| gptkbp:release_format |
Theatrical release
|
| gptkbp:remake |
The Frightened Lady (1940)
|
| gptkbp:restoration |
Restored by the British Film Institute
|
| gptkbp:runtime |
76 minutes
|
| gptkbp:screenplay_by |
gptkb:Charles_Bennett
Written by Charles Bennett. |
| gptkbp:soundtrack |
Original score by Charles Williams
|
| gptkbp:style |
Suspense and tension.
|
| gptkbp:symbolism |
Represents innocence.
|
| gptkbp:themes |
Exploration of morality.
Justice and truth. Examined for its narrative depth. Exploration of innocence. |
| gptkbp:bfsParent |
gptkb:Alfred_Hitchcock
|
| gptkbp:bfsLayer |
3
|