|
gptkbp:instance_of
|
gptkb:album
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:drama
gptkb:theatrical_performances
|
|
gptkbp:adaptation_year
|
gptkb:1970
|
|
gptkbp:artist
|
gptkb:DJ_Shadow
|
|
gptkbp:artistic_influence
|
gptkb:Romanticism
|
|
gptkbp:artistic_legacy
|
enduring relevance
|
|
gptkbp:author
|
gptkb:Thomas_Wolfe
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
novel by Thomas Wolfe
|
|
gptkbp:cast
|
gptkb:Diana_Dors
gptkb:Christopher_Lee
gptkb:Peter_Cushing
gptkb:Beryl_Reid
gptkb:Michael_Gough
gptkb:Dame_Angela_Lansbury
gptkb:Joan_Collins
gptkb:Dame_Julie_Walters
gptkb:Dame_Eileen_Atkins
gptkb:Dame_Helen_Mirren
gptkb:Maggie_Smith
gptkb:Michael_J._Murphy
gptkb:Sir_Richard_Attenborough
gptkb:Dame_Harriet_Walter
gptkb:Sir_Anthony_Hopkins
gptkb:Dame_Judi_Dench
gptkb:Dame_Maggie_Smith
gptkb:John_Hurt
gptkb:Judy_Geeson
gptkb:Robert_Morley
gptkb:David_Daker
gptkb:John_Le_Mesurier
gptkb:Sir_Ian_Mc_Kellen
gptkb:Anna_Wing
gptkb:Graham_Crowden
gptkb:Richard_O'_Sullivan
gptkb:John_Mc_Enery
Dame Penelope Wilton
Dame Imelda Staunton
|
|
gptkbp:character_arc
|
self-discovery
|
|
gptkbp:character_development
|
complex characters
personal evolution
|
|
gptkbp:character_motivation
|
search for belonging
|
|
gptkbp:character_relationships
|
self-doubt
family dynamics
|
|
gptkbp:cinematography
|
gptkb:Michael_J._Murphy
|
|
gptkbp:conflict
|
internal conflict
ambiguous ending
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_analysis
|
examined in literary studies
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:criticism
|
analyzed for themes
|
|
gptkbp:cultural_impact
|
influenced writers
|
|
gptkbp:cultural_references
|
often quoted
|
|
gptkbp:cultural_significance
|
reflects societal changes
|
|
gptkbp:director
|
gptkb:Michael_J._Murphy
|
|
gptkbp:distributor
|
gptkb:Murphy_Productions
|
|
gptkbp:editing
|
gptkb:Michael_J._Murphy
|
|
gptkbp:element
|
the past
|
|
gptkbp:film_editing
|
You Can't Go Home Again (film)
|
|
gptkbp:followed_by
|
gptkb:Our_Pathetic_Age
The Hills Beyond
|
|
gptkbp:genre
|
gptkb:Fiction
gptkb:drama
hip hop
|
|
gptkbp:historical_context
|
gptkb:Great_Depression
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
You Can't Go Home Again
|
|
gptkbp:influenced
|
American literature
|
|
gptkbp:influenced_artists
|
gptkb:James_Joyce
|
|
gptkbp:influenced_by
|
gptkb:Modernism
|
|
gptkbp:influences
|
gptkb:Gothic_literature
|
|
gptkbp:inspiration
|
Wolfe's own life
|
|
gptkbp:is_influenced_by
|
gptkb:Harlem_Renaissance
|
|
gptkbp:isbn
|
978-0684801000
|
|
gptkbp:label
|
gptkb:Mass_Appeal_Records
|
|
gptkbp:language
|
English
|
|
gptkbp:length
|
41:36
|
|
gptkbp:literary_devices
|
flashbacks
|
|
gptkbp:literary_significance
|
exploration of time
|
|
gptkbp:main_character
|
gptkb:George_Webber
|
|
gptkbp:motif
|
nostalgia
|
|
gptkbp:music_composer
|
gptkb:Michael_J._Murphy
|
|
gptkbp:narrative
|
first-person
|
|
gptkbp:narrative_style
|
stream of consciousness
|
|
gptkbp:notable_quote
|
You can't go home again.
|
|
gptkbp:notable_tracks
|
gptkb:Nobody_Speak
gptkb:The_Sideshow
gptkb:The_Art_of_Peer_Pressure
gptkb:The_One
Ashes to Oceans
|
|
gptkbp:page_count
|
400
|
|
gptkbp:plot
|
non-linear
|
|
gptkbp:preceded_by
|
gptkb:The_Mountain_Will_Fall
|
|
gptkbp:predecessor
|
gptkb:Look_Homeward,_Angel
|
|
gptkbp:production_company
|
gptkb:Murphy_Productions
|
|
gptkbp:published
|
gptkb:1940
|
|
gptkbp:publisher
|
gptkb:Charles_Scribner's_Sons
|
|
gptkbp:reader_demographic
|
varied interpretations
|
|
gptkbp:release_date
|
1979-01-01
|
|
gptkbp:release_year
|
gptkb:1979
gptkb:2016
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Michael_J._Murphy
|
|
gptkbp:setting
|
gptkb:United_States
|
|
gptkbp:setting_time
|
early 20th century
|
|
gptkbp:style
|
lyrical prose
|
|
gptkbp:successor
|
gptkb:The_Web_and_the_Rock
|
|
gptkbp:symbolism
|
the journey
|
|
gptkbp:theme
|
the search for identity
|
|
gptkbp:themes
|
gptkb:existentialism
|
|
gptkbp:track_count
|
gptkb:10
|
|
gptkbp:bfsParent
|
gptkb:Carly_Pearce
gptkb:Chet_Baker
gptkb:The_Cut
|
|
gptkbp:bfsLayer
|
4
|