|
gptkbp:instanceOf
|
gptkb:art
gptkb:artist
|
|
gptkbp:activeYears
|
2000s–present
|
|
gptkbp:award
|
Wynne Prize finalist
Yalingwa Fellowship
|
|
gptkbp:birthPlace
|
gptkb:Woomera,_South_Australia
|
|
gptkbp:birthYear
|
1973
|
|
gptkbp:education
|
gptkb:Monash_University
gptkb:University_of_South_Australia
|
|
gptkbp:ethnicity
|
gptkb:Kokatha
gptkb:Nukunu
|
|
gptkbp:exhibitedAt
|
gptkb:TarraWarra_Museum_of_Art
gptkb:National_Gallery_of_Victoria
gptkb:museum
gptkb:Art_Gallery_of_South_Australia
gptkb:Australian_Centre_for_Contemporary_Art
|
|
gptkbp:field
|
contemporary art
installation art
glass sculpture
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Yhonnie Scarce
|
|
gptkbp:material
|
gptkb:glass
found objects
|
|
gptkbp:nationality
|
gptkb:Australian
|
|
gptkbp:notableWork
|
In Absence
The Cultivation of Whiteness
Thunder Raining Poison
Weak in Colour but Strong in Blood
|
|
gptkbp:residence
|
gptkb:Melbourne,_Australia
|
|
gptkbp:theme
|
gptkb:colonialism
gptkb:trauma
displacement
Aboriginal history
nuclear testing in Australia
|
|
gptkbp:bfsParent
|
gptkb:Bendigo_Art_Gallery
gptkb:Aboriginal_and_Torres_Strait_Islander_artists
|
|
gptkbp:bfsLayer
|
7
|