gptkbp:instanceOf
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gptkb:opera
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gptkbp:authorOfSourceMaterial
|
gptkb:Georg_Büchner
|
gptkbp:basedOn
|
gptkb:Woyzeck_(play)
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gptkbp:catalogueNumber
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Op. 7
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gptkbp:composer
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gptkb:Alban_Berg
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gptkbp:compositionPeriod
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1914-1922
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gptkbp:criticalReception
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landmark of 20th-century opera
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gptkbp:dedicatedTo
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gptkb:Alma_Mahler
|
gptkbp:duration
|
about 90 minutes
|
gptkbp:firstPerformed
|
gptkb:Erich_Kleiber
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gptkbp:genre
|
atonal opera
expressionist opera
|
https://www.w3.org/2000/01/rdf-schema#label
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Wozzeck (Berg)
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gptkbp:influenced
|
20th-century opera
|
gptkbp:influencedBy
|
gptkb:Second_Viennese_School
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gptkbp:language
|
gptkb:German
|
gptkbp:librettist
|
gptkb:Alban_Berg
|
gptkbp:mainCharacter
|
gptkb:The_Captain
gptkb:The_Doctor
gptkb:Wozzeck
gptkb:The_Drum_Major
gptkb:Marie
|
gptkbp:notableAdaptation
|
Werner Herzog (1979)
|
gptkbp:notableAria
|
gptkb:Marie’s_Lullaby
|
gptkbp:notableFor
|
psychological drama
use of Sprechstimme
early atonal opera
|
gptkbp:notableProduction
|
gptkb:Metropolitan_Opera_(1959)
Royal Opera House (2013)
Salzburg Festival (2017)
|
gptkbp:notableRecording
|
gptkb:Dmitri_Mitropoulos_(1951)
gptkb:Pierre_Boulez_(1966)
Claudio Abbado (1987)
|
gptkbp:numberOfActs
|
3
|
gptkbp:numberOfScenes
|
15
|
gptkbp:orchestration
|
large orchestra
|
gptkbp:premiereDate
|
1925-12-14
|
gptkbp:premiereLocation
|
gptkb:Berlin_State_Opera
|
gptkbp:publisher
|
gptkb:Universal_Edition
|
gptkbp:setting
|
19th-century Germany
|
gptkbp:structure
|
each scene has a specific musical form
|
gptkbp:subject
|
gptkb:murder
alienation
madness
poverty
military life
|
gptkbp:theme
|
social criticism
existential despair
|
gptkbp:bfsParent
|
gptkb:Gerhard_Siegel
gptkb:Expressionism_(music)
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gptkbp:bfsLayer
|
7
|