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gptkbp:instance_of
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gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:film
|
|
gptkbp:adaptation_year
|
gptkb:1991
|
|
gptkbp:author
|
gptkb:Su_Tong
|
|
gptkbp:character_development
|
gptkb:Lotus
the Master
other wives
|
|
gptkbp:conflict
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gptkb:jealousy
|
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gptkbp:critical_reception
|
well-received
|
|
gptkbp:cultural_aspect
|
Chinese society
|
|
gptkbp:cultural_impact
|
gptkb:literary_analysis
academic studies
inspired adaptations
influenced filmmakers
discussions on gender roles
|
|
gptkbp:director
|
gptkb:Zhang_Yimou
|
|
gptkbp:film_awards
|
gptkb:Best_Foreign_Language_Film
gptkb:Golden_Lion
|
|
gptkbp:film_editing
|
gptkb:Raise_the_Red_Lantern
|
|
gptkbp:focus
|
women's lives
|
|
gptkbp:genre
|
gptkb:drama
gptkb:historical_fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Wives and Concubines
|
|
gptkbp:influence
|
gptkb:Chinese_literature
|
|
gptkbp:language
|
Chinese
|
|
gptkbp:literary_devices
|
gptkb:metaphor
gptkb:allegory
symbolism
imagery
irony
foreshadowing
|
|
gptkbp:main_theme
|
gptkb:polygamy
|
|
gptkbp:motif
|
power dynamics
|
|
gptkbp:narrative
|
historical lens
psychological lens
feminist lens
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:plot
|
gptkb:social_hierarchy
family dynamics
struggles of women
personal ambitions
|
|
gptkbp:protagonist
|
gptkb:Lotus
|
|
gptkbp:published_in
|
gptkb:1990
|
|
gptkbp:reader_demographic
|
critically acclaimed
popular among readers
discussed in book clubs
analyzed in universities
|
|
gptkbp:setting
|
gptkb:China
|
|
gptkbp:setting_time
|
1920s
|
|
gptkbp:start_location
|
a wealthy household
|
|
gptkbp:symbolism
|
gptkb:Green_Lantern
silence
rooms
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:oppression
gptkb:sacrifice
desire
|
|
gptkbp:translated_into
|
English
|
|
gptkbp:bfsParent
|
gptkb:Su_Tong
|
|
gptkbp:bfsLayer
|
7
|