|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
5
|
|
gptkbp:bfsParent
|
gptkb:American_Witch
gptkb:Candlemass
gptkb:The_Witchfinder
|
|
gptkbp:adaptation
|
gptkb:1968
film.
Witchfinder General (film)
|
|
gptkbp:allows
|
controversial themes.
|
|
gptkbp:architectural_style
|
the villain.
|
|
gptkbp:artistic_legacy
|
remains relevant.
|
|
gptkbp:author
|
Ronald Bassett
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
gptkb:book
|
|
gptkbp:box_office
|
£1 million
|
|
gptkbp:budget
|
£50,000
|
|
gptkbp:character
|
gptkb:Rebecca
gptkb:Sarah
gptkb:Matthew_Hopkins
John Lowes
|
|
gptkbp:character_arc
|
redemption.
downfall.
|
|
gptkbp:character_development
|
Matthew Hopkins evolves throughout the story.
|
|
gptkbp:character_relationships
|
hubris.
betrayal.
complex.
power struggles.
moral dilemmas.
|
|
gptkbp:conflict
|
gptkb:Saint
internal and external.
|
|
gptkbp:cover_art
|
gptkb:David_Gentleman
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
inspired horror genre
cult film status
inspired later works.
|
|
gptkbp:cultural_references
|
witch trials.
|
|
gptkbp:cultural_significance
|
examines witchcraft.
|
|
gptkbp:director
|
gptkb:Michael_Reeves
|
|
gptkbp:filming_location
|
gptkb:East_Anglia
|
|
gptkbp:filmography
|
gptkb:Vincent_Price
|
|
gptkbp:follows
|
gptkb:The_Witchfinder_General_(novel)
|
|
gptkbp:genre
|
gptkb:church
gptkb:film
|
|
gptkbp:historical_context
|
Civil War era.
|
|
gptkbp:historical_figure
|
Matthew Hopkins.
|
|
gptkbp:historical_impact
|
reflects societal fears.
|
|
gptkbp:historical_period
|
gptkb:war
|
|
gptkbp:historical_significance
|
reflects past injustices.
|
|
gptkbp:home_media_release
|
gptkb:DJ
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Witchfinder General
|
|
gptkbp:influenced_artists
|
inspired horror literature.
|
|
gptkbp:influenced_by
|
Gothic literature.
historical witch hunts
The Witchfinder (historical figure)
|
|
gptkbp:influences
|
gptkb:church
|
|
gptkbp:inspiration
|
real historical events.
|
|
gptkbp:inspired
|
other horror films
|
|
gptkbp:is_characterized_by
|
multi-dimensional.
|
|
gptkbp:is_critical_for
|
examines morality.
|
|
gptkbp:is_criticized_for
|
examines power structures.
|
|
gptkbp:is_motivated_by
|
power and control.
|
|
gptkbp:is_symbolic_of
|
represents societal issues.
|
|
gptkbp:isbn
|
978-0-09-095050-0
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_devices
|
imagery.
|
|
gptkbp:main_character
|
gptkb:comic_book
gptkb:Matthew_Hopkins
|
|
gptkbp:moral
|
ethics of witch hunting.
|
|
gptkbp:motif
|
gptkb:political_movement
fear of the unknown.
|
|
gptkbp:music_by
|
gptkb:Paul_Ferris
|
|
gptkbp:narrative_style
|
third-person
foreshadowing.
fictionalized account.
fictionalized.
|
|
gptkbp:narrative_theme
|
justice and revenge.
|
|
gptkbp:notable_for
|
depiction of witch trials
|
|
gptkbp:notable_story_arc
|
tragedy.
|
|
gptkbp:page_count
|
256
|
|
gptkbp:performance
|
loosely based.
|
|
gptkbp:plot
|
linear.
|
|
gptkbp:plot_summary
|
follows a witchfinder during the English Civil War.
|
|
gptkbp:plot_twist
|
unexpected outcomes.
|
|
gptkbp:produced_by
|
gptkb:Tigon_British_Film_Productions
|
|
gptkbp:published_year
|
gptkb:1966
|
|
gptkbp:publisher
|
gptkb:Hodder_&_Stoughton
|
|
gptkbp:reader_demographic
|
thought-provoking.
varied.
immersive.
subjective.
adult.
|
|
gptkbp:release_date
|
August 1968
|
|
gptkbp:release_year
|
gptkb:1968
|
|
gptkbp:remake
|
gptkb:Witchfinder_General_(2022)
|
|
gptkbp:runtime
|
86 minutes
|
|
gptkbp:set_in
|
gptkb:England
|
|
gptkbp:setting
|
gptkb:England
17th century.
|
|
gptkbp:significance
|
explores dark themes.
|
|
gptkbp:starring
|
gptkb:Vincent_Price
|
|
gptkbp:style
|
descriptive.
|
|
gptkbp:symbolism
|
represents authority.
represents fanaticism.
|
|
gptkbp:thematic_element
|
human nature.
fear and paranoia.
|
|
gptkbp:theme
|
witch hunts
|
|
gptkbp:themes
|
gptkb:political_movement
violence
power dynamics
religious fanaticism
|