|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:film
|
|
gptkbp:antagonist
|
gptkb:Enoch_Emery
|
|
gptkbp:author
|
gptkb:Flannery_O'_Connor
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:character_development
|
gptkb:Enoch_Emery
gptkb:Hazel_Motes
|
|
gptkbp:character_relationships
|
Enoch Emery vs. Hazel Motes
Hazel Motes vs. self
Hazel Motes vs. society
|
|
gptkbp:conflict
|
external
internal
|
|
gptkbp:critical_reception
|
mixed
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:cultural_references
|
gptkb:Christianity
gptkb:American_South
Existential philosophy
|
|
gptkbp:director
|
gptkb:John_Huston
|
|
gptkbp:genre
|
gptkb:Southern_Gothic
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Wise Blood
|
|
gptkbp:influence
|
American literature
|
|
gptkbp:influenced_by
|
Existentialism
Southern literature
|
|
gptkbp:isbn
|
978-0151612959
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_significance
|
explores themes of faith and doubt.
|
|
gptkbp:main_character
|
gptkb:Hazel_Motes
|
|
gptkbp:motif
|
gptkb:family
religious imagery
urban decay
|
|
gptkbp:narrative_style
|
first-person
stream of consciousness
symbolism
foreshadowing
|
|
gptkbp:notable_quote
|
“ The church is a place where you can be saved.”
“ I am a man of the cloth.”
“ I am not a believer.”
|
|
gptkbp:page_count
|
256
|
|
gptkbp:protagonist
|
gptkb:Hazel_Motes
|
|
gptkbp:published_in
|
gptkb:1952
|
|
gptkbp:publisher
|
gptkb:Harcourt_Brace
|
|
gptkbp:release_year
|
gptkb:1979
|
|
gptkbp:role
|
gptkb:protagonist
gptkb:antagonist
gptkb:supporting_character
|
|
gptkbp:setting
|
gptkb:Tennessee
|
|
gptkbp:setting_time
|
gptkb:20th_century
|
|
gptkbp:symbolism
|
gptkb:religion
gptkb:blood
blindness
|
|
gptkbp:theme
|
gptkb:identity
faith
redemption
|
|
gptkbp:bfsParent
|
gptkb:The_Southern_Renaissance
|
|
gptkbp:bfsLayer
|
4
|