Statements (43)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
Person
|
| gptkbp:associatedWith |
Geto Boys
|
| gptkbp:birthDate |
November 1, 1970
|
| gptkbp:birthPlace |
gptkb:Houston,_Texas
|
| gptkbp:hasAwards |
Source Magazine Award
|
| gptkbp:hasCollaboratedWith |
gptkb:Bushwick_Bill
Scarface DJ Ready Red |
| gptkbp:hasGenre |
Hip hop
|
| gptkbp:hasGoals |
Controversy
The Day of the Dead Hustle Till I Die |
| gptkbp:hasImpactOn |
Community engagement
Music videos Gangsta rap Live performances Artistic expression Cultural representation Cultural commentary Music production techniques Social commentary in music Lyricism in hip hop Youth empowerment through music Legacy in hip hop Independent hip hop Music industry dynamics Political rap Southern_rap_scene |
| gptkbp:hasInfluenceOn |
gptkb:Southern_hip_hop
Hip hop culture Ghetto Boys |
| gptkbp:hasLabel |
Rap-A-Lot Records
|
| gptkbp:hasOccupation |
Musician
|
| gptkbp:hasSocialMedia |
Facebook
|
| gptkbp:hasTheme |
Geto Boys - Damn It Feels Good to Be a Gangsta
Geto Boys - Mind Playing Tricks on Me Willie_D_-_I_Ain't_No_Joke Willie_D_-_The_World_Don't_Stop |
| gptkbp:hasWebsite |
willied.com
|
| https://www.w3.org/2000/01/rdf-schema#label |
Willie D. Smith
|
| gptkbp:isKnownFor |
Rap music
|