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gptkbp:instance_of
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gptkb:play
gptkb:film
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gptkbp:adaptation
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gptkb:film
Television film adaptation
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gptkbp:adapted_into
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gptkb:film
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gptkbp:author
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gptkb:Edward_Albee
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gptkbp:awards
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gptkb:Tony_Award_for_Best_Play
gptkb:Best_Actress
gptkb:Pulitzer_Prize_for_Drama
gptkb:New_York_Drama_Critics'_Circle_Award
gptkb:Best_Supporting_Actress
gptkb:Best_Art_Direction
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gptkbp:based_on
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gptkb:play_by_Edward_Albee
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gptkbp:box_office
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$20 million
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gptkbp:cinematography
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gptkb:Haskell_Wexler
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gptkbp:country
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gptkb:United_States
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gptkbp:critical_reception
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Highly acclaimed
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gptkbp:cultural_impact
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inspired various adaptations
Influential in American cinema
considered a classic
explores complex relationships
often studied in literature courses
performed in theaters worldwide
remains relevant in contemporary discussions
analyzed for its feminist themes
examines societal expectations
depicts emotional turmoil
addresses themes of disillusionment
influenced playwrights after its release
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gptkbp:debut_year
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gptkb:1962
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gptkbp:directed
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gptkb:Mike_Nichols
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gptkbp:director
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gptkb:Mike_Nichols
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gptkbp:editing
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gptkb:Sam_O'_Steen
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gptkbp:film
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gptkb:Richard_Burton
gptkb:George_Segal
gptkb:Elizabeth_Taylor
gptkb:Sandy_Dennis
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gptkbp:film_editing
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gptkb:1966
gptkb:Mike_Nichols
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gptkbp:film_festival
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gptkb:Cannes_Film_Festival
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gptkbp:first_performance
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October 13, 1962
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gptkbp:genre
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gptkb:drama
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https://www.w3.org/2000/01/rdf-schema#label
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Who's Afraid of Virginia Woolf?
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gptkbp:influence
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gptkb:American_theater
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gptkbp:influenced
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gptkb:Birdman
gptkb:The_Graduate
gptkb:American_Beauty
gptkb:The_Hours
gptkb:The_Master
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gptkbp:influenced_by
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gptkb:American_theater
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gptkbp:language
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English
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gptkbp:main_character
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gptkb:Martha
gptkb:George
gptkb:honey
gptkb:Nick
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gptkbp:music
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gptkb:Alex_North
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gptkbp:notable_awards
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gptkb:Tony_Award_for_Best_Play
gptkb:New_York_Drama_Critics'_Circle_Award
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gptkbp:notable_games
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gptkb:Edward_Albee
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gptkbp:notable_production
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2005 revival
2012 revival
1962 Broadway production
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gptkbp:notable_quote
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You can’t be a man without a woman.
The only thing that matters is what you think.
“ I’m not afraid of you.”
I am George, and I am a man.
We’re all just playing a game.
“ You’re all flops!”
“ I’m not sure I want to be a part of your world.”
“ The only thing that matters is what you think of me.”
“ We’re all just playing a game.”
“ You can’t be a part of my life.”
“ I am not a monster!”
“ You don’t have to be a genius to be a good husband.”
“ You can’t be a monster without a little bit of a heart.”
“ I’m not sure I’m going to be able to do this.”
“ I’m going to make you a little bit of a monster.”
“ I am George, and I am a man.”
“ We’re not going to be happy.”
“ What a dump!”
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gptkbp:original_language
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English
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gptkbp:performance
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ongoing
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gptkbp:performed_in
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gptkb:Broadway
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gptkbp:premiere_date
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gptkb:1962
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gptkbp:premiered_on
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gptkb:1962
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gptkbp:published_by
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gptkb:Atheneum
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gptkbp:release_date
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June 22, 1966
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gptkbp:release_year
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gptkb:1966
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gptkbp:runtime
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131 minutes
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gptkbp:screenplay
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gptkb:Edward_Albee
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gptkbp:set_in
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a university town
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gptkbp:setting
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a university town in the United States
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gptkbp:starring
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gptkb:Richard_Burton
gptkb:George_Segal
gptkb:Elizabeth_Taylor
gptkb:Sandy_Dennis
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gptkbp:themes
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gptkb:marriage
loneliness
aging
Loneliness
Disillusionment
Reality vs. illusion
Power dynamics
illusion vs reality
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gptkbp:written_by
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gptkb:Edward_Albee
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gptkbp:bfsParent
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gptkb:Edward_Albee
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gptkbp:bfsLayer
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3
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