Statements (50)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:art_exhibition
|
gptkbp:attendance |
gptkb:High
|
gptkbp:critical_reception |
Mixed reviews
|
gptkbp:cultural_impact |
gptkb:church
1980s art scene |
gptkbp:curator |
gptkb:Marcia_Tucker
|
gptkbp:exhibition |
gptkb:music_festival
Published Several months Included critical essays Included artist statements Documented the event Included images of artworks |
gptkbp:focus |
Contemporary art
|
gptkbp:followed_by |
gptkb:Whitney_Biennial_1985
|
https://www.w3.org/2000/01/rdf-schema#label |
Whitney Biennial 1983
|
gptkbp:impact |
Influenced future biennials
|
gptkbp:legacy |
Influenced contemporary art discourse
Highlighted issues of representation Encouraged diversity in exhibitions Set a precedent for future biennials |
gptkbp:location |
gptkb:Whitney_Museum_of_American_Art
|
gptkbp:media |
gptkb:painting
gptkb:Photographer gptkb:art_installation gptkb:artwork |
gptkbp:movement |
gptkb:Neo-expressionism
Conceptual art Appropriation art Feminist art |
gptkbp:notable_album |
The Dinner Party by Judy Chicago
The Garden of Time by various artists The Art of Memory by various artists The American Dream by various artists The Body as a Site by various artists |
gptkbp:notable_artists |
gptkb:Cindy_Sherman
gptkb:Robert_Mapplethorpe gptkb:Jeff_Koons gptkb:Richard_Prince gptkb:David_Salle |
gptkbp:notable_work |
Untitled Film Stills by Cindy Sherman
The Perfect Moment by Robert Mapplethorpe New Hoover Convertibles by Jeff Koons The New York Times by Richard Prince |
gptkbp:preceded_by |
Whitney Biennial 1981
|
gptkbp:significance |
Showcased emerging artists
|
gptkbp:theme |
Diversity in art
|
gptkbp:year |
gptkb:1983
|
gptkbp:bfsParent |
gptkb:The_Whitney_Biennial_1984
|
gptkbp:bfsLayer |
6
|