gptkbp:instance_of
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gptkb:art_exhibition
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gptkbp:artwork
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gptkb:artwork
paintings
prints
drawings
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gptkbp:associated_with
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gptkb:Whitney_Museum
gptkb:art_gallery
gptkb:literary_work
art education
art festivals
cultural institutions
American art history
art fairs
art auctions
artistic diversity
art collectors
art movements
art publications
artistic innovation
cultural commentary
exhibition design
art patrons
art movements in the 20th century
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gptkbp:attendance
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varied
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gptkbp:curator
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gptkb:Julian_Levy
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gptkbp:exhibition
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biennial
several months
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gptkbp:focus
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American art
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gptkbp:followed_by
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gptkb:Whitney_Biennial_1942
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gptkbp:historical_context
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World War II era
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https://www.w3.org/2000/01/rdf-schema#label
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Whitney Biennial 1940
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gptkbp:impact
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influenced future biennials
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gptkbp:influences
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regionalism
social realism
American modernism
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gptkbp:is_a_venue_for
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gptkb:Borough
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gptkbp:legacy
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recognized as a pivotal exhibition
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gptkbp:location
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gptkb:Whitney_Museum_of_American_Art
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gptkbp:notable_artists
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gptkb:Charles_Burchfield
gptkb:Georgia_O'_Keeffe
gptkb:Charles_Sheeler
gptkb:Edward_Hopper
gptkb:Reginald_Marsh
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gptkbp:notable_work
|
' Red Canna' by Georgia O' Keeffe
' The Bathers' by Charles Burchfield
' The City' by Reginald Marsh
' The Farmer' by Charles Sheeler
' The Night Hawks' by Edward Hopper
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gptkbp:part_of
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gptkb:Whitney_Biennial
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gptkbp:preceded_by
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gptkb:Whitney_Biennial_1932
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gptkbp:significance
|
showcased contemporary American artists
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gptkbp:year
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gptkb:1940
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gptkbp:bfsParent
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gptkb:The_Whitney_Biennial_1938
gptkb:The_Whitney_Biennial_1942
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gptkbp:bfsLayer
|
6
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