Statements (51)
Predicate | Object |
---|---|
gptkbp:instanceOf |
painting
|
gptkbp:acquisition |
acquired_by_the_Musée_d'Orsay_in_1891
|
gptkbp:artist |
gptkb:James_Whistler
|
gptkbp:artMovement |
gptkb:Aesthetic_Movement
|
gptkbp:associatedWith |
gptkb:James_Whistler's_mother
|
gptkbp:colors |
predominantly_grey_and_black
|
gptkbp:culturalSignificance |
iconic representation of motherhood
|
gptkbp:depicts |
a seated woman
|
gptkbp:dimensions |
32.4 in × 28.3 in
|
gptkbp:exhibits |
gptkb:The_Royal_Academy_of_Arts
|
gptkbp:featuredIn |
art history textbooks
|
gptkbp:historicalContext |
created_during_the_Victorian_era
|
https://www.w3.org/2000/01/rdf-schema#label |
Whistler's Mother
|
gptkbp:influence |
American_art
|
gptkbp:influenced |
contemporary artists
feminist art modern portraiture |
gptkbp:influencedBy |
Japanese_art
|
gptkbp:inspiration |
numerous academic studies
various parodies and references in popular culture |
gptkbp:location |
The_Musée_d'Orsay
|
gptkbp:medium |
oil on canvas
|
gptkbp:notableFeature |
gptkb:The_Art_Institute_of_Chicago
gptkb:The_Metropolitan_Museum_of_Art gptkb:The_National_Gallery_of_Art gptkb:The_National_Gallery_of_Canada The Tate Gallery lighting use of color composition criticized for its lack of detail praised for its simplicity the arrangement of the subject's clothing the background color the cultural impact of the painting the emotional impact on viewers the expression of the subject the facial expression of the subject the historical significance of the subject the overall mood of the painting the posture of the subject the technical skill displayed by the artist the use of negative space |
gptkbp:partOf |
Whistler's_series_of_portraits
|
gptkbp:previousName |
gptkb:Arrangement_in_Grey_and_Black_No._1
|
gptkbp:represents |
the ideal of motherhood
|
gptkbp:reproduction |
widely reproduced in various media
|
gptkbp:style |
Impressionism
|
gptkbp:subject |
gptkb:portrait_of_Anna_McNeill_Whistler
|
gptkbp:symbolizes |
the bond between mother and child
|
gptkbp:yearEstablished |
1871
|