Statements (28)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:novel
|
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:The_Last_Train_to_Key_West
|
| gptkbp:adaptation |
gptkb:none
|
| gptkbp:author |
gptkb:Chanel_Cleeton
|
| gptkbp:awards |
Goodreads Choice Award Nominee
|
| gptkbp:conflict |
gptkb:Cuban_Revolution
|
| gptkbp:covered_by |
gptkb:artwork
|
| gptkbp:critical_reception |
positive
|
| gptkbp:followed_by |
gptkb:Next_Year_in_Havana
|
| gptkbp:genre |
gptkb:church
|
| https://www.w3.org/2000/01/rdf-schema#label |
When We Left Cuba
|
| gptkbp:influences |
American culture
Cuban culture |
| gptkbp:isbn |
978-0451490864
|
| gptkbp:language |
English
|
| gptkbp:main_character |
Beatriz Perez
Cuban-American woman |
| gptkbp:narrative_style |
third-person
|
| gptkbp:page_count |
gptkb:368
|
| gptkbp:published_by |
gptkb:2019
|
| gptkbp:publisher |
Berkley
|
| gptkbp:series |
The Cuban Chronicles
|
| gptkbp:setting |
gptkb:Cuba
gptkb:Florida |
| gptkbp:theme |
gptkb:TV_series
gptkb:government_agency gptkb:family |