Statements (72)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:art_exhibition
|
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:Harald_Szeemann
gptkb:The_Arte_Povera_Movement |
| gptkbp:artwork |
various media
|
| gptkbp:associated_with |
gptkb:Community_Center
gptkb:Fluxus_movement gptkb:artwork 1970s art movements |
| gptkbp:audience |
gptkb:literary_work
gptkb:art_historians general public art students |
| gptkbp:curated_by |
gptkb:Harald_Szeemann
|
| gptkbp:exhibition |
gptkb:art_exhibition
gptkb:art_installation several months published site-specific installations artistic process challenged traditional art forms published catalog increased collaboration among artists increased interest in performance art increased interest in social and political themes in art increased interest in the relationship between art and culture increased interest in interdisciplinary approaches to art increased dialogue about art's role increased emphasis on context in art increased experimentation in art increased exploration of materials in art increased focus on the process of making art increased focus on viewer experience increased integration of different media in art increased interest in conceptual art increased interest in installation art increased interest in process-oriented art increased interest in site-specific art increased interest in the role of the artist increased interest in the role of the audience increased questioning of art's definition increased interest in the relationship between art and technology increased interest in the relationship between art and time increased interest in the relationship between art and the viewer's body increased interest in the relationship between art and space |
| gptkbp:exhibitions |
gptkb:music_festival
gptkb:document |
| gptkbp:features |
gptkb:art_installation
gptkb:artwork site-specific art |
| https://www.w3.org/2000/01/rdf-schema#label |
When Attitudes Become Form
|
| gptkbp:impact |
influenced future exhibitions
|
| gptkbp:influenced |
artistic practices in the 1970s
|
| gptkbp:influenced_by |
gptkb:Minimalism
Conceptual art |
| gptkbp:inspired |
subsequent art movements
installation-based practices |
| gptkbp:legacy |
considered a landmark exhibition
|
| gptkbp:location |
gptkb:Kunsthalle_Bern
|
| gptkbp:notable_artists |
gptkb:Joseph_Beuys
gptkb:Richard_Serra gptkb:Dan_Flavin gptkb:Robert_Smithson |
| gptkbp:notable_work |
gptkb:How_to_Explain_Pictures_to_a_Dead_Hare
gptkb:The_Lightning_Field gptkb:The_End_of_the_Line Beuys' ' How to Explain Pictures to a Dead Hare' Untitled (to Robert Rauschenberg) |
| gptkbp:significance |
pioneering exhibition in contemporary art
|
| gptkbp:stations |
critical acclaim
mixed reviews |
| gptkbp:year |
gptkb:1969
|