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gptkbp:instance_of
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gptkb:soundtrack
gptkb:novel
gptkb:film
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gptkbp:bfsLayer
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3
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gptkbp:bfsParent
|
gptkb:The_Lovely_Bones
gptkb:Robin_Williams
gptkb:Richard_Matheson
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|
gptkbp:adaptation
|
gptkb:1998
What Dreams May Come (film)
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gptkbp:art_style
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vivid colors
surreal landscapes
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gptkbp:author
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gptkb:Richard_Matheson
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gptkbp:awards
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gptkb:Best_Original_Score
gptkb:Best_Visual_Effects
gptkb:Academy_Award_for_Best_Visual_Effects
gptkb:Best_Art_Direction
Golden Globe nomination
Best Actor – Motion Picture Musical or Comedy
Best Motion Picture – Musical or Comedy
Best Actor in a Motion Picture – Musical or Comedy
Golden Globe Award nomination for Best Original Score
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gptkbp:based_on
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gptkb:novel
Richard Matheson's novel
a novel by Richard Matheson
novel by Richard Matheson
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|
gptkbp:box_office
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72000000
$72.8 million
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gptkbp:budget
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85000000
$85 million
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gptkbp:character
|
gptkb:The_Woman_in_the_House
gptkb:Annie_Nielsen
gptkb:Chris_Nielsen
gptkb:The_Children
gptkb:The_Guide
Albert Lewis
The Tracker
The Man in the Park
The Woman in the Park
The Child in the Park
The Man in the House
The Woman in the Afterlife
Ann Nielsen
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|
gptkbp:character_development
|
Ann's journey
Chris Nielsen's journey
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|
gptkbp:cinematography
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gptkb:Roger_Pratt
gptkb:Simon_Duggan
|
|
gptkbp:color
|
gptkb:color
|
|
gptkbp:composer
|
gptkb:Michael_Kamen
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:cover_art
|
Album cover art
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|
gptkbp:critical_reception
|
positive
mixed reviews
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|
gptkbp:cultural_impact
|
inspiration for art and literature
discussions on the afterlife
philosophical debates on existence
explored themes of grief and healing
influenced discussions on the afterlife
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|
gptkbp:directed_by
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gptkb:Vincent_Ward
|
|
gptkbp:director
|
gptkb:Vincent_Ward
|
|
gptkbp:distribution
|
gptkb:Columbia_Pictures
|
|
gptkbp:distributor
|
gptkb:MGM
gptkb:Lions_Gate_Entertainment
|
|
gptkbp:edited_by
|
gptkb:John_Gilbert
gptkb:Dave_Brenner
|
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:Seattle_International_Film_Festival
gptkb:AFI_Fest
gptkb:Toronto_International_Film_Festival
gptkb:CEO
|
|
gptkbp:film_series
|
gptkb:CEO
|
|
gptkbp:filming_location
|
gptkb:California
gptkb:New_Zealand
|
|
gptkbp:filmography
|
gptkb:John_Gilbert
gptkb:Robin_Williams
113 minutes
|
|
gptkbp:followed_by
|
gptkb:The_Iron_Giant_(soundtrack)
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|
gptkbp:genre
|
gptkb:Magic:_The_Gathering_set
gptkb:High_School
gptkb:film
romance
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|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
Digital download
1999-04-06
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|
https://www.w3.org/2000/01/rdf-schema#label
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What Dreams May Come
|
|
gptkbp:influenced_by
|
gptkb:The_Tibetan_Book_of_the_Dead
gptkb:Dante's_Inferno
Near-death experiences
The Afterlife
|
|
gptkbp:influences
|
gptkb:philosopher
gptkb:The_Divine_Comedy
gptkb:The_Tibetan_Book_of_the_Dead
gptkb:Dante's_Inferno
|
|
gptkbp:inspiration
|
personal experiences
Richard Matheson's personal experiences
|
|
gptkbp:is_featured_in
|
What Dreams May Come (film)
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|
gptkbp:isbn
|
978-0-670-65756-0
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|
gptkbp:label
|
gptkb:Varese_Sarabande
|
|
gptkbp:language
|
English
|
|
gptkbp:length
|
54:12
|
|
gptkbp:main_character
|
gptkb:Chris_Nielsen
|
|
gptkbp:motif
|
gptkb:festival
gptkb:cemetery
rebirth
|
|
gptkbp:music
|
gptkb:Michael_Kamen
|
|
gptkbp:music_by
|
gptkb:Michael_Kamen
|
|
gptkbp:narrative_style
|
gptkb:loss
love
life after death
third-person
redemption
|
|
gptkbp:narrative_theme
|
gptkb:loss
love
life after death
redemption
|
|
gptkbp:notable_quote
|
“ The only thing that matters is love.”
|
|
gptkbp:notable_tracks
|
Theme from What Dreams May Come
|
|
gptkbp:page_count
|
gptkb:368
|
|
gptkbp:performed_by
|
gptkb:London_Symphony_Orchestra
|
|
gptkbp:philosophy
|
nature of reality
meaning of life
nature of love
existence of heaven and hell
|
|
gptkbp:plot
|
A man dies and goes to the afterlife, where he searches for his wife.
|
|
gptkbp:preceded_by
|
gptkb:The_Three_Musketeers_(1993_soundtrack)
|
|
gptkbp:produced_by
|
gptkb:Stephen_Simon
gptkb:Vincent_Ward
|
|
gptkbp:production_company
|
gptkb:Polygram_Filmed_Entertainment
gptkb:Interscope_Communications
gptkb:The_Samuel_Goldwyn_Company
|
|
gptkbp:published_by
|
gptkb:1978
|
|
gptkbp:publisher
|
gptkb:Viking_Press
|
|
gptkbp:rating
|
PG-13
|
|
gptkbp:release_date
|
gptkb:1998
1998-10-02
October 2, 1998
|
|
gptkbp:release_format
|
gptkb:DJ
gptkb:film
Theatrical
|
|
gptkbp:release_region
|
gptkb:United_States
|
|
gptkbp:released
|
gptkb:1998
October 2, 1998
|
|
gptkbp:released_in
|
gptkb:United_States
|
|
gptkbp:runtime
|
113 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Ronald_Bass
gptkb:Vincent_Ward
|
|
gptkbp:set_in
|
afterlife
|
|
gptkbp:setting
|
afterlife
|
|
gptkbp:significance
|
explores existential themes
uses vivid imagery
depicts emotional depth
addresses grief and healing
combines fantasy with reality
|
|
gptkbp:soundtrack
|
gptkb:What_Dreams_May_Come_(soundtrack)
gptkb:What_Dreams_May_Come:_Original_Motion_Picture_Soundtrack
What Dreams May Come (soundtrack album)
|
|
gptkbp:starring
|
gptkb:Jessica_Lange
gptkb:Robin_Williams
gptkb:Cuba_Gooding_Jr.
gptkb:Annabella_Sciorra
Jessica Brooks
|
|
gptkbp:symbolism
|
art and creativity
colors in the afterlife
|
|
gptkbp:theme
|
gptkb:fortification
gptkb:loss
love
personal growth
the afterlife
redemption
afterlife
soulmates
|
|
gptkbp:themes
|
gptkb:loss
love
redemption
afterlife
|
|
gptkbp:track_count
|
gptkb:12
|
|
gptkbp:visual_effects
|
gptkb:Industrial_Light_&_Magic
|
|
gptkbp:winner
|
gptkb:Academy_Award_for_Best_Visual_Effects
|