gptkbp:instance_of
|
gptkb:film
|
gptkbp:awards
|
gptkb:Independent_Spirit_Award
|
gptkbp:box_office
|
$2.5 million
$1.5 million
|
gptkbp:budget
|
$1.5 million
|
gptkbp:character
|
gptkb:Steve
gptkb:Brenda_Wiener
gptkb:Ricky
Mr. Wiener
Mrs. Wiener
|
gptkbp:cinematography
|
gptkb:Ed_Lachman
|
gptkbp:cinematography_by
|
gptkb:Ed_Lachman
|
gptkbp:country
|
gptkb:United_States
|
gptkbp:critical_reception
|
positive
|
gptkbp:depicts
|
the struggles of adolescence
|
gptkbp:directed_by
|
gptkb:Todd_Solondz
|
gptkbp:director
|
gptkb:Todd_Solondz
|
gptkbp:distributor
|
Good Machine
|
gptkbp:editor
|
gptkb:Michael_A._Berenbaum
|
gptkbp:features
|
gptkb:Dawn_Wiener
|
gptkbp:features_supporting_character
|
gptkb:Steve
gptkb:Brenda_Wiener
gptkb:Ricky
Mr. Wiener
Mrs. Wiener
|
gptkbp:film_festival
|
gptkb:Berlin_International_Film_Festival
gptkb:Sundance_Film_Festival
gptkb:Toronto_International_Film_Festival
|
gptkbp:follows
|
a middle school girl
|
gptkbp:genre
|
gptkb:comedy
|
gptkbp:has_cultural_impact
|
influenced later films
|
gptkbp:has_rating
|
7.2/10 on IMDb
90% on Rotten Tomatoes
85% on Metacritic
|
gptkbp:has_soundtrack
|
gptkb:David_Mansfield
|
gptkbp:has_theme
|
alienation
|
https://www.w3.org/2000/01/rdf-schema#label
|
Welcome to the Dollhouse
|
gptkbp:influences
|
gptkb:Rushmore
gptkb:Heathers
gptkb:The_Virgin_Suicides
gptkb:The_Edge_of_Seventeen
gptkb:The_Breakfast_Club
gptkb:Frances_Ha
gptkb:Little_Miss_Sunshine
gptkb:John_Waters
gptkb:Ghost_World
gptkb:Lady_Bird
Eighth Grade
|
gptkbp:is_available_on
|
gptkb:DVD
gptkb:Blu-ray
|
gptkbp:is_considered
|
cult classic
|
gptkbp:is_notable_for
|
social commentary
dark humor
its impact on pop culture
its character development
its unique visual style
its use of irony
its memorable quotes
its unique storytelling style
its character-driven narrative
its exploration of identity
its use of satire
its exploration of family dynamics
its feminist themes
its commentary on social norms
realistic portrayal of adolescence
its critique of suburban life
its exploration of teenage angst
its impact on indie film movement
its portrayal of bullying
its unconventional plot structure
|
gptkbp:is_part_of
|
American independent cinema
|
gptkbp:is_set_in
|
the 1990s
|
gptkbp:language
|
English
|
gptkbp:main_character
|
gptkb:Dawn_Wiener
|
gptkbp:music_composer
|
gptkb:David_Mansfield
|
gptkbp:premiere
|
gptkb:Sundance_Film_Festival
|
gptkbp:produced_by
|
gptkb:Christine_Vachon
|
gptkbp:production_company
|
gptkb:Sundance_Film_Festival
|
gptkbp:received
|
critical acclaim
|
gptkbp:release_format
|
theatrical
|
gptkbp:release_year
|
gptkb:2008
|
gptkbp:released_in
|
gptkb:1995
|
gptkbp:runtime
|
88 minutes
|
gptkbp:screenplay_by
|
gptkb:Todd_Solondz
|
gptkbp:set_in
|
gptkb:New_Jersey
|
gptkbp:setting
|
gptkb:New_Jersey
|
gptkbp:theme
|
gptkb:bullying
family dynamics
identity crisis
adolescence
social awkwardness
|
gptkbp:won
|
Best Director at the Sundance Film Festival
|
gptkbp:bfsParent
|
gptkb:Todd_Solondz
gptkb:Danity_Kane
gptkb:Heather_Matarazzo
gptkb:Aubrey_O'_Day
|
gptkbp:bfsLayer
|
5
|