Statements (53)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:symphony
|
| gptkbp:associated_with |
gptkb:Modernism
|
| gptkbp:characteristic |
serialism
atonality |
| gptkbp:composed_by |
gptkb:Anton_Webern
|
| gptkbp:genre |
classical music
|
| https://www.w3.org/2000/01/rdf-schema#label |
Webern's symphonic works
|
| gptkbp:influenced |
avant-garde music
contemporary classical composers |
| gptkbp:influenced_by |
gptkb:Second_Viennese_School
|
| gptkbp:notable_production |
gptkb:Symphony,_Op._22
gptkb:Symphony,_Op._21 gptkb:Five_Pieces_for_Orchestra,_Op._10 |
| gptkbp:notable_traits |
use of counterpoint
transparency conciseness complex rhythms use of motifs use of silence use of dissonance exploration of silence use of unconventional instruments use of extended techniques emphasis on timbre use of microtones exploration of rhythm emphasis on structure coloristic orchestration short movements exploration of form integration of technology in music production extreme dynamics exploration of harmony focus on the relationship between sound and silence exploration of cultural influences in music exploration of musical space exploration of the role of the audience in music. exploration of the role of the conductor focus on the emotional impact of music focus on the evolution of musical language focus on the individual note focus on the listener's experience integration of visual elements in performance integration of voice and instruments use of improvisation in performance use of silence as a compositional tool exploration of the relationship between music and other art forms |
| gptkbp:performed_by |
Orchestras worldwide
|
| gptkbp:premiered_on |
1928
|
| gptkbp:published_by |
gptkb:Universal_Edition
|
| gptkbp:recorded_by |
gptkb:Various_artists
|
| gptkbp:bfsParent |
gptkb:Andris_Nelsons
|
| gptkbp:bfsLayer |
5
|