|
gptkbp:instance_of
|
gptkb:television_series
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:none
gptkb:graphic_novel
gptkb:video_game
gptkb:miniseries
gptkb:audiobook
gptkb:stage_play
film rights sold
not adapted into film
|
|
gptkbp:adapted_into
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gptkb:Weaveworld_(TV_series)
Weaveworld (film) (in development)
|
|
gptkbp:author
|
gptkb:Clive_Barker
|
|
gptkbp:based_on
|
gptkb:novel
gptkb:Weaveworld
|
|
gptkbp:based_on_work
|
Weaveworld (novel)
|
|
gptkbp:budget
|
5 million
|
|
gptkbp:cast_member
|
Actor A
Actor B
Actor C
Actor D
Actor E
|
|
gptkbp:character
|
gptkb:the_Fates
gptkb:the_Dreamers
gptkb:the_Seekers
the Watchers
the Ancients
the Shadows
the Keepers
the Spirits
the Seer
the Lost Ones
the Elements
the Creators
the Guardians
the Shapers
the Weaver
the Weaveworld
the Chosen Ones
the Dreamweavers
the Echoes
the Forces
the Fugue
the Lightbearers
the Realms
the Seerkind
the Tapestry
the Threads
the Voices
the Harrow
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|
gptkbp:character_development
|
complex characters
|
|
gptkbp:character_relationships
|
Coryn and Nina's bond
the Harrow's antagonism
the Weaver's role as a creator
|
|
gptkbp:cinematography_by
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gptkb:David_Johnson
|
|
gptkbp:conflict
|
good vs evil
the quest for identity
the battle for the Weave
the struggle against the Harrow
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:cover_artist
|
gptkb:Clive_Barker
|
|
gptkbp:creator
|
gptkb:Clive_Barker
|
|
gptkbp:critical_analysis
|
analyzed for its narrative style
studied for its character arcs
discussed in relation to postmodernism
examined for its themes of escapism
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
cult following
inspired fan fiction
influenced other authors
inspired other works of fantasy
|
|
gptkbp:cultural_significance
|
explores themes of creation and destruction
|
|
gptkbp:directed_by
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gptkb:Julian_Jarrold
|
|
gptkbp:director
|
gptkb:John_Doe
|
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gptkbp:distributor
|
gptkb:BBC_Worldwide
|
|
gptkbp:editing
|
Post-production
|
|
gptkbp:editor
|
gptkb:John_Wilson
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|
gptkbp:element
|
the Fugue as a representation of chaos
the Seer as a guide
the Tapestry as a metaphor for life
the Weave as a metaphor for storytelling
|
|
gptkbp:filming_location
|
gptkb:Los_Angeles
gptkb:United_Kingdom
|
|
gptkbp:first_aired
|
gptkb:2023
|
|
gptkbp:followed_by
|
gptkb:Imajica
|
|
gptkbp:genre
|
gptkb:Fantasy
gptkb:fantasy
|
|
gptkbp:has_merchandise
|
gptkb:Yes
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Weaveworld
|
|
gptkbp:influence
|
modern fantasy literature
|
|
gptkbp:influenced_by
|
gptkb:The_Books_of_Blood
gptkb:mythology
gptkb:fairy_tales
gothic fiction
horror literature
|
|
gptkbp:influences
|
gptkb:fantasy_literature
gptkb:mythology
horror literature
|
|
gptkbp:inspiration
|
art and culture
personal experiences
Barker's own experiences
Barker's childhood
|
|
gptkbp:is_acclaimed_for
|
positive
positive reviews
|
|
gptkbp:isbn
|
978-0061093132
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Clyde_Barker
gptkb:Catherine
gptkb:Nina
Barker
Calyx
Coryn
|
|
gptkbp:marketing_strategy
|
Social media campaigns
|
|
gptkbp:merchandise
|
gptkb:clothing
gptkb:toys
Books
Collectibles
Art prints
|
|
gptkbp:motif
|
gptkb:art
gptkb:dreams
gptkb:identity
gptkb:sacrifice
gptkb:transformation
love
reality vs illusion
|
|
gptkbp:music_composer
|
gptkb:Jane_Smith
|
|
gptkbp:narrative
|
non-linear
|
|
gptkbp:narrative_style
|
magical realism
third-person
multiple perspectives
non-linear storytelling
third-person perspective
|
|
gptkbp:network
|
gptkb:Hulu
|
|
gptkbp:number_of_episodes
|
gptkb:Episode_6
gptkb:Episode_7
gptkb:Episode_8
gptkb:Episode_1
gptkb:Episode_2
45 minutes
8
Episode 3
Episode 5
Episode 4
|
|
gptkbp:number_of_seasons
|
gptkb:1
|
|
gptkbp:page_count
|
400
|
|
gptkbp:pages
|
400
|
|
gptkbp:performance
|
Weekly
|
|
gptkbp:plot
|
a struggle between good and evil in a magical realm
|
|
gptkbp:premiere
|
gptkb:London_Film_Festival
|
|
gptkbp:premiere_date
|
March 2023
January 2023
October 1, 2023
|
|
gptkbp:produced_by
|
gptkb:BBC
|
|
gptkbp:production_company
|
gptkb:Hulu_Originals
|
|
gptkbp:published
|
gptkb:1987
|
|
gptkbp:published_year
|
gptkb:1987
|
|
gptkbp:publisher
|
gptkb:Harper_Collins
|
|
gptkbp:reader_demographic
|
cult following
|
|
gptkbp:release_date
|
October 2023
|
|
gptkbp:release_year
|
gptkb:2008
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Clive_Barker
|
|
gptkbp:sequel
|
gptkb:Imajica
|
|
gptkbp:setting
|
gptkb:fantasy_world
a magical world
a magical world called the Weave
|
|
gptkbp:starring
|
gptkb:Anna_Friel
gptkb:Sean_Astin
gptkb:Tom_Baker
|
|
gptkbp:symbolism
|
the journey
the Weave
the tapestry of life
the Weave as a representation of creativity
|
|
gptkbp:target_audience
|
Adults
|
|
gptkbp:theme
|
the power of imagination
|
|
gptkbp:themes
|
gptkb:magic
gptkb:Love
gptkb:conflict
gptkb:adventure
gptkb:identity
the power of imagination
|
|
gptkbp:viewership
|
1 million
|
|
gptkbp:writer
|
gptkb:Clive_Barker
|
|
gptkbp:written_by
|
gptkb:Clive_Barker
|
|
gptkbp:bfsParent
|
gptkb:Clive_Barker
|
|
gptkbp:bfsLayer
|
4
|