|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
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|
gptkbp:bfsLayer
|
3
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|
gptkbp:bfsParent
|
gptkb:Shirley_Jackson
|
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:2018
gptkb:Shirley_Jackson's_novel
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:art_style
|
dark and atmospheric
|
|
gptkbp:audience
|
60% on Rotten Tomatoes
|
|
gptkbp:author
|
gptkb:Shirley_Jackson
|
|
gptkbp:available_formats
|
gptkb:book
ebook
hardcover
paperback
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
novel by Shirley Jackson
|
|
gptkbp:box_office
|
$1.2 million
|
|
gptkbp:cast
|
gptkb:Stacie_Passon
gptkb:Alexandra_Daddario
gptkb:Crispin_Glover
gptkb:Taissa_Farmiga
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|
gptkbp:character
|
gptkb:Merricat_Blackwood
gptkb:Constance_Blackwood
the villagers
Uncle Julian Blackwood
Charles Blackwood
|
|
gptkbp:character_development
|
Charles's manipulative behavior
Constance's nurturing nature
Merricat's perspective
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|
gptkbp:cinematography
|
Kristin Field
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
cult classic
mixed reviews
|
|
gptkbp:cultural_impact
|
influenced horror genre
inspired adaptations
inspired other works
inspired discussions on mental health
influenced filmmakers
adaptations in various media
|
|
gptkbp:director
|
gptkb:Stacie_Passon
|
|
gptkbp:distributor
|
gptkb:Vertical_Entertainment
|
|
gptkbp:editor
|
Katherine D. Mc Ghee
|
|
gptkbp:film_festival
|
Sundance 2018
|
|
gptkbp:filming_location
|
gptkb:Massachusetts
|
|
gptkbp:first_published
|
gptkb:Viking_Press
|
|
gptkbp:genre
|
gptkb:film
Gothic fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
We Have Always Lived in the Castle
|
|
gptkbp:influence
|
horror literature
|
|
gptkbp:influenced
|
gptkb:Toni_Morrison
gptkb:Neil_Gaiman
gptkb:Stephen_King
|
|
gptkbp:influences
|
gptkb:architect
American literature
psychological horror
|
|
gptkbp:isbn
|
978-0143039983
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Mary_Katherine_Blackwood
gptkb:Constance_Blackwood
|
|
gptkbp:motif
|
gptkb:cemetery
madness
seclusion
|
|
gptkbp:music_by
|
gptkb:Nico_Muhly
|
|
gptkbp:narrative_style
|
First-person
first-person
unreliable narrator
first-person perspective
|
|
gptkbp:next_edition
|
1962 Viking Press edition
|
|
gptkbp:page_count
|
146
|
|
gptkbp:plot
|
gptkb:legal_case
family secrets
the Blackwood sisters' life
Two sisters live in isolation with their uncle after the rest of their family dies.
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:production_company
|
Cinematic Pictures
|
|
gptkbp:published_by
|
gptkb:1962
|
|
gptkbp:publisher
|
gptkb:Viking_Press
|
|
gptkbp:rating
|
gptkb:R
50% on Rotten Tomatoes
|
|
gptkbp:release_date
|
September 30, 2018
|
|
gptkbp:release_year
|
gptkb:2018
|
|
gptkbp:runtime
|
85 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Stacie_Passon
gptkb:Shirley_Jackson
|
|
gptkbp:setting
|
gptkb:New_England
|
|
gptkbp:soundtrack
|
Nico Muhly's score
|
|
gptkbp:starring
|
gptkb:Alexandra_Daddario
gptkb:Crispin_Glover
gptkb:Taissa_Farmiga
|
|
gptkbp:style
|
psychological horror
|
|
gptkbp:symbolism
|
gptkb:product
gptkb:mythological_figure
the garden
the castle
the fire
food and poison
the Blackwood family home
|
|
gptkbp:theme
|
gptkb:family
isolation
mental illness
society's judgment
|
|
gptkbp:themes
|
gptkb:family
isolation
societal judgment
|