gptkbp:instanceOf
|
novel
|
gptkbp:adaptation
|
musical
film
radio
television
theatre
|
gptkbp:author
|
gptkb:Sir_Walter_Scott
|
gptkbp:character
|
gptkb:Captain_Waverley
gptkb:Rose_Bradwardine
gptkb:Edward_Waverley
gptkb:Fergus_Mac-Ivor
gptkb:Baron_Bradwardine
Glenna
|
gptkbp:critical_reception
|
positive
|
gptkbp:cultural_impact
|
gptkb:Scottish_nationalism
|
gptkbp:genre
|
historical fiction
|
https://www.w3.org/2000/01/rdf-schema#label
|
Waverley
|
gptkbp:influence
|
Scottish_literature
|
gptkbp:influenced
|
gptkb:Henry_James
gptkb:Charles_Dickens
gptkb:George_Eliot
gptkb:Thomas_Hardy
James Fenimore Cooper
|
gptkbp:inspiration
|
Jacobite risings
|
gptkbp:language
|
English
|
gptkbp:narrativeStyle
|
third-person
|
gptkbp:notableQuote
|
"The past is a foreign country; they do things differently there."
"The heart of a man is like a garden."
"A man may be a fool and not know it, but not if he is married."
"The best laid schemes o' mice an' men gang aft agley."
"To be a good soldier, you must be a good man."
|
gptkbp:publishedBy
|
1814
|
gptkbp:publisher
|
gptkb:Archibald_Constable_and_Company
|
gptkbp:relatedPatent
|
gptkb:Rob_Roy
Ivanhoe
The Bride of Lammermoor
The Heart of Midlothian
|
gptkbp:setting
|
gptkb:Scotland
|
gptkbp:significance
|
first historical novel
|
gptkbp:theme
|
conflict
identity
loyalty
|