|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:awarded
|
gptkb:Edgar_Award_for_Best_Motion_Picture_Screenplay
gptkb:Saturn_Award_for_Best_Writing
|
|
gptkbp:boxOfficeGross
|
$79.6 million
|
|
gptkbp:budget
|
$12 million
|
|
gptkbp:cinematography
|
gptkb:William_A._Fraker
|
|
gptkbp:countryOfOrigin
|
gptkb:United_States
|
|
gptkbp:director
|
gptkb:John_Badham
|
|
gptkbp:distributor
|
gptkb:MGM/UA_Entertainment_Company
|
|
gptkbp:editingBy
|
gptkb:Tom_Rolf
|
|
gptkbp:filmingLocation
|
gptkb:Los_Angeles,_California
gptkb:Seattle,_Washington
|
|
gptkbp:genre
|
gptkb:science_fiction
thriller
|
|
gptkbp:homeMediaRelease
|
gptkb:DVD
gptkb:Blu-ray
gptkb:VHS
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
WarGames (1983)
|
|
gptkbp:influenced
|
U.S. policy on cybersecurity
public perception of computer hacking
|
|
gptkbp:language
|
English
|
|
gptkbp:musicBy
|
gptkb:Arthur_B._Rubinstein
|
|
gptkbp:nominatedFor
|
gptkb:Academy_Award_for_Best_Cinematography
gptkb:Academy_Award_for_Best_Sound
gptkb:Academy_Award_for_Best_Original_Screenplay
|
|
gptkbp:notableCharacter
|
gptkb:David_Lightman
gptkb:Dr._Stephen_Falken
gptkb:General_Beringer
gptkb:Jennifer_Mack
gptkb:John_McKittrick
|
|
gptkbp:notableFor
|
Shall we play a game?
|
|
gptkbp:plotSummary
|
A young computer whiz accidentally hacks into a U.S. military supercomputer, nearly starting World War III.
|
|
gptkbp:producer
|
gptkb:Harold_Schneider
|
|
gptkbp:productionCompany
|
gptkb:United_Artists
|
|
gptkbp:rating
|
PG
|
|
gptkbp:releaseDate
|
May 7, 1983
|
|
gptkbp:runtime
|
114 minutes
|
|
gptkbp:sequel
|
WarGames: The Dead Code (2008)
|
|
gptkbp:starring
|
gptkb:John_Wood
gptkb:Matthew_Broderick
gptkb:Ally_Sheedy
gptkb:Dabney_Coleman
gptkb:Barry_Corbin
|
|
gptkbp:technology
|
WOPR (War Operation Plan Response)
|
|
gptkbp:theme
|
gptkb:Cold_War
gptkb:artificial_intelligence
nuclear war
hacking
|
|
gptkbp:writer
|
gptkb:Lawrence_Lasker
gptkb:Walter_F._Parkes
gptkb:Walon_Green
|
|
gptkbp:bfsParent
|
gptkb:David_Lightman
|
|
gptkbp:bfsLayer
|
7
|