Statements (59)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:arrangements |
arranged for various ensembles
|
| gptkbp:artistic_influence |
influenced the concerto form
|
| gptkbp:artistic_innovation |
introduced new forms and styles
|
| gptkbp:artistic_legacy |
remains a staple in classical repertoire
|
| gptkbp:associated_with |
Venetian Baroque music
|
| gptkbp:audience |
popular among audiences
|
| gptkbp:characteristic |
ritornello form
|
| gptkbp:collaboration |
collaborated with various musicians
|
| gptkbp:composer |
gptkb:Antonio_Vivaldi
|
| gptkbp:cultural_diversity |
showcases musical diversity
|
| gptkbp:cultural_events |
featured in cultural events globally
|
| gptkbp:cultural_heritage |
part of Italian cultural heritage
|
| gptkbp:cultural_impact |
featured in films and media
|
| gptkbp:cultural_representation |
recognized as masterpieces
|
| gptkbp:cultural_significance |
important in the development of the concerto genre
|
| gptkbp:dedication |
often dedicated to specific patrons
|
| gptkbp:educational_use |
studied in music schools
|
| gptkbp:educational_value |
important for music education
|
| gptkbp:first_performance |
early 18th century
|
| gptkbp:form |
concerto grosso
|
| gptkbp:genre |
Classical
|
| gptkbp:historical_context |
composed during the Baroque period
contextualized within Baroque music history |
| gptkbp:historical_interpretation |
interpreted by contemporary musicians
|
| gptkbp:historical_significance |
important in music history
|
| gptkbp:influence |
Western classical music
|
| gptkbp:inspired_by |
Italian folk music
|
| gptkbp:instrument |
violin, cello, and others
|
| gptkbp:instrumentation |
gptkb:orchestra
|
| gptkbp:is_often_used_in |
part of a concert program
|
| gptkbp:is_popular_in |
concert halls worldwide
|
| gptkbp:legacy |
influenced later composers like Bach
|
| gptkbp:length |
approximately 10-20 minutes
|
| gptkbp:music_composer |
inspired composers like Corelli
|
| gptkbp:music_style |
use of ornamentation
typically structured in three movements |
| gptkbp:notable_collaborators |
various musicians of the time
|
| gptkbp:notable_conductors |
conducted by famous maestros
|
| gptkbp:notable_performances |
performed in the 18th century
|
| gptkbp:notable_performers |
many renowned orchestras
|
| gptkbp:notable_recordings |
many acclaimed recordings exist
|
| gptkbp:notable_works |
gptkb:The_Four_Seasons
|
| gptkbp:performance |
often performed by string instruments
|
| gptkbp:performance_practice_evolution |
evolved over centuries
|
| gptkbp:performance_tradition |
performed in festivals
|
| gptkbp:performance_venue |
performed in opera houses
|
| gptkbp:performers |
over 500
|
| gptkbp:record_label |
many labels have recorded them
|
| gptkbp:recordings |
numerous recordings exist
|
| gptkbp:signature |
various keys used
|
| gptkbp:sound |
provides a rich auditory experience
|
| gptkbp:style |
gptkb:Baroque
|
| gptkbp:thematic_element |
nature and seasons
|
| gptkbp:thematic_variations |
explore different moods
|
| gptkbp:theme |
explores various musical themes
often depict seasonal changes |
| gptkbp:bfsParent |
gptkb:Anne_Sofie_von_Otter
|
| gptkbp:bfsLayer |
5
|